Bøger af Richard Armstrong

A Hawaiian-language newspaper published from 1895 to 1902, offering a unique perspective on local and national news, politics, literature, and culture. This three-volume set presents a curated selection of articles and artwork from the original publication.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Ka Nonanona, Volumes 1-4 Richard Armstrong R. Armstrong, 1841 Travel; United States; West; Pacific; Hawaii; Travel / United States / West / Pacific

Translation studies can be situated as either a complementary field or an aspect of classical receptions, but there are certaindifficulties in how translation studies can be suitably adapted for importation into classical studies; difficulties which are not currently addressed in a systematic form for graduate students or researchers wishing to gain a comprehensive orientation to classics studies. The proposed Companion would address these difficulties by providing the first systematic work to translation studies as applied to classics.The proposed Companion attempts to address this lack by providing the first systematic work that would both orient the new-comer to translation studies as applied to classics and provide exemplary, state-of-the-art discussions and case studies on how translation is a central element in reception.

The Mafia comes to Comic-Con and outrageousness ensues, in the new fast-paced suspense caper The Don Con. A hilarious comic crime thriller in the tradition of Carl Hiaasen and Janet Evanovich, The Don Con mixes suspense, razor-sharp pop culture satire and author Richard Armstrongs dry comic style into a delightful cocktail of pure entertainment. Joey Volpe hit the high watermark of his acting career when he played a small role as a mobster on The Sopranos. If you blinked, you missed it. But now hes unemployed, broke and forced to make a living by signing autographs at pop-culture fan conventions, or Fan-Cons, for $35 a pop. His lack of income, along with his chronic womanising, has put his marriage at risk, too. Joeys life gets even worse when real mobster Tony Rosetti shows up in the autograph line with a plan to rob the next Fan-Con an offer Joey cant refuse. When the heist goes awry, Joey is left with a beef with Rosetti and two long years to plan. Partnered with a smooth-talking con man, Joey is using all his acting skills on new projects: Revenge. Money. And saving his marriage. Combining the intrigue of Oceans 11 and The Bank Job with pointed comic takes on The Sopranos, The Godfather, Comic-Con, Star Trek, The Sting and nerd culture. A crime thriller / screwball comedy that will leave readers breathless with excitement and laughter.

The first in-depth study of its subject, this book seeks to historically account for a type of modernist film that revolves around bereavement. Identifying the roots of the genre in classical melodrama and horror cinema, and tracing perennial themes and aesthetic devices through to the European and American 'intellectual melodramas' of the postwar decades, the book provides a taxonomy of characteristics.