Bøger af Richard Marsh

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1913. Not illustrated. Excerpt: ... CHAPTER XV MABEL JOYCE WHEN Rodney Elmore got back to his rooms it was somewhat late. Some letters were, on the table in his sitting-room, and a telegram from Stella Austin. One of those voluminous telegrams which women send when they are in no mood to consider that each unnecessary word means another halfpenny. It was, indeed, a little letter, in which she expressed both sympathy and disappointment. She was so sorry to hear the bad news about his uncle, and assured him--with apparent disregard of the fact that the message might possibly pass through several persons' hands--that he had much better come to her if he was able, "since she would console him as nobody else could. "I shall be terribly disappointed if you do not come," it went on, "so please do come. There are heaps of things I wish to say to you--simply heaps. So mind, Rodney, dear, you are to come some time this evening, and you are to let nothing keep you away from your own Stella." It was a love-letter which this young lady had flashed across the wires at a halfpenny a word, evidently caring nothing if strangers learned what was in her heart so long as he did. He was still considering it when Miss Joyce came into the room with a decanter and a glass upon a tray. "Miss Austin's been to see you," she observed. "I suppose that telegram's from her." "Did she tell you it was from her?" "She came in and looked about her at pretty nearly everything, and saw it lying on the table, and said she'd sent you a telegram, and supposed that was it. I thought she was going to walk off with it, but she didn't. I expected she'd want to stop till you came in, as Miss Patterson did last night, but I told her I knew you'd an important engagement in the City, and knew you wouldn't be in till very late; so she went." "Th...

The first of the series of curious happenings, which led to such a surprising and, indeed, extraordinary denouement, occurred on the twelfth of October. It was a Monday; about four-thirty in the afternoon. Madge Brodie was alone in the house. The weather was dull, a suspicion of mist was in the air, already the day was drawing in. Madge was writing away with might and main, hard at work on one of those MSS. with which she took such peculiar pains; and with which the editors for whom they were destined took so little. If they would only take a little more--enough to read them through, say--Madge felt sure they would not be so continually returned. Her pen went tearing away at a gallop--it had reached the last few lines--they were finished. She turned to glance at the clock which was on the mantelshelf behind her. "Gracious!--I had no idea it was so late. Ella will be home in an hour, and there is nothing in the place for her to eat!" She caught up the sheets of paper, fastened them together at the corner, crammed them into an envelope, scribbled a note, crammed it in after them, addressed the envelope, closed it, jumped up to get her hat, just as there came a rat-tat-tat at the hall-door knocker.

The Devil's Diamond is a novel written by Richard Marsh and published in 1893. The story revolves around a valuable diamond called the ""Devil's Diamond"" that has been stolen from a wealthy man's collection. The thief is a notorious criminal named Simon Carne who is known for his cunning and intelligence. The owner of the diamond, Sir Charles Vandrift, hires a detective named Jack Ronald to find the thief and retrieve the diamond. However, Carne proves to be a formidable opponent and leads Ronald on a wild chase across Europe. Along the way, Ronald meets a beautiful woman named Z�����lie de Lantrec who becomes his ally in the pursuit of Carne. The story is full of twists and turns as Ronald and Z�����lie try to outsmart Carne and recover the diamond. The Devil's Diamond is a thrilling adventure novel that combines elements of mystery, romance, and suspense. It is a classic example of Victorian-era literature and has remained popular among readers for over a century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Mr Paxton, a ruined man, decides to emigrate, and whilst on the train to Southampton, he overhears Mr Lawrence discussing how he stole the Duchess of Datchet's diamonds, worth half a million pounds. When he returns home, he finds himself in possession of the jewels thanks to a luggage mix-up on the train. Elated at his change of fortune, Mr Paxton thinks he can finally marry his true love, Daisy Strong, but events take a turn for the worst when Inspector John Ireland of Scotland Yard, believing he is the thief, starts chasing him...

"Thomas," observed my aunt, as she entered the room, "I have taken you by surprise." She had. Hamlet could scarcely have been more surprised at the appearance of the ghost of his father. I had supposed that she was in the wilds of Cornwall. She glanced at the table at which I had been seated.

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1902. Not illustrated. Excerpt: ... chapter xxxiv the penitent hat the Marquis of Twickenham lives a religious X life is a matter of public notoriety. His benefactions to the Church whose faith he had adopted are in the mouths of every one. By far the larger portion of his income must, in some form or other, go into priestly hands. His family seat at Cressland is ordered almost as if it were a house of the religious. Priests are everywhere. Both a convent and a monastery have been established in the grounds. His days are ordered as if he himself were one of the brotherhood. Prayer and fasting are his rules of life. Strange stories are told of self-inflicted penances. Thus he seeks, it would seem, to atone for the sins of his early life. In the opinion of certain persons the penitential spirit came on him with altogether unexpected suddenness. Mr. Stephen Foster, who had charge of the family finances till they were transferred to the custody of Roman Catholic administrators, to this day cannot understand how the alteration came about. He declares that when the truant peer first returned from his prolonged absence, his lordship struck him as being very much more of a scoffer than a bigot. Yet all at once he was in sackcloth and ashes. Mr. Foster cannot make it out at all. He is persuaded that there is something curious somewhere. Lord Reginald Sherrington keeps a keen eye upon his brother's proceedings. His lordship's generosity has enabled him to marry Lady Violet Howarth, and it is understood that the match is, on the whole, a happy one; but he cannot rid himself of a feeling that the priestly element which rules at Cressland requires attention and constant observation. In which respect he is not impossibly correct. Miss Desmond is still unmarried. Douglas Howarth is dead. The Marquis seemed by hi...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Frivolities: Especially Addressed To Those Who Are Tired Of Being Serious is a book written by Richard Marsh and published in 1899. The book is a collection of humorous essays and stories that poke fun at the seriousness of Victorian society. Marsh uses his wit and humor to criticize the rigid social norms of the time, and encourages readers to lighten up and enjoy life. The book covers a wide range of topics, from fashion and etiquette to politics and religion. Marsh's writing style is light and entertaining, making the book an enjoyable read for anyone who needs a break from the stresses of daily life. Overall, Frivolities is a charming and witty book that offers a refreshing perspective on Victorian society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Second Coming, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Beetle was published in 1897, the same year as Draculäand outsold it six to one that year. Like Dracula, the novel is steeped in the evil mysteries of an ancient horror: in this case, a mysterious ancient Egyptian creature bent on revenge.The story is told through the sequential points of view of a group of middle-class Victorians who find themselves enmeshed in the creature¿s plot. The creature, in the guise of an Egyptian man, appears in London seeking revenge against a popular member of Parliament. They soon find out that it can shape shift into other things, including women; that it can control minds and use hypnosis; and that it won¿t stop at anything to get the revenge it seeks. The heroes are soon caught in a whirlwind of chase scenes, underground laboratories, secret cults, and more as they race to foil the creature.While The Beetle didn¿t earn the lasting popularity of Stoker¿s counterpart, it remains a strange and unique morsel of Victorian sensationalist fiction.

Miss Arnott's Marriage by Richard Marsh has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.

Richard Marsh (12 October 1857 - 9 August 1915) was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently.