Bøger af Richard Norton

This book is a collection of essays on the history of art. The authors discuss the work of several notable artists, including Bernini, Velazquez, and Vermeer. They also explore various themes and ideas in the history of art, such as the role of emotion and the relationship between art and politics. The essays are well-written and provide a valuable resource for anyone interested in art history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Excavations at Cyrene, First Campaign, 1910-1911: Preliminary Reports is a historical book written by Richard Norton. The book provides a comprehensive account of the first archaeological campaign conducted at the ancient Greek city of Cyrene, located in modern-day Libya. The author describes in detail the excavation process, the findings, and the significance of the discoveries made during the campaign. The book is richly illustrated with photographs and drawings, and includes detailed maps and plans of the excavation site. It is a valuable resource for scholars and enthusiasts interested in the history and archaeology of ancient Greece and the Mediterranean world. The book was first published in 1911 and remains a seminal work in the field of archaeology.Also Authored By A. F. S. Sladden.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Julian of Norwich's Revelations of Divine Love grapples with the same fundamental question that has vexed philosophers and theologians since the advent of monotheistic religion, and continues as a barrier to belief for many today. Namely, if God is so good, how can natural disaster, genocide, trauma - and my present suffering - occur? Historically, there have been two apparently very different approaches to the problem: the pastoral, or practical, on the one hand and the systematic on the other. However, Richard Norton suggests that these two lines of thought may not be as separate as they seem, and may indeed be dependent on one another for their cohesion. Drawing on Julian's medieval experience of personal and population-wide suffering, alongside that of more recent theologians such as Dorothy Solle and Jurgen Moltmann, Norton constructs a compassionate model of theodicy that can be of use to both pastoral and systematic theologians. Throughout, he remains sensitive to the raw atrocity of evil, while preserving a vision of God as the one who ensures that all shall be well.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Bernini and Other Studies in the History of Art by Richard Norton. This book is a reproduction of the original book published in 1914 and may have some imperfections such as marks or hand-written notes.

This Is A New Release Of The Original 1914 Edition.

Julian of Norwich¿s Revelations of Divine Love grapples with the same fundamental question that has vexed philosophers and theologians since the advent of monotheistic religion, and continues as a barrier to belief for many today. Namely, if God is so good, how can natural disaster, genocide, trauma - and my present suffering - occur? Historically, there have been two apparently very different approaches to the problem: the pastoral, or practical, on the one hand and the systematic on the other. Richard Norton, however, suggests that these two lines of thought may not be as separate as they seem, and may indeed be dependent on one another for their cohesion. Drawing on Julian¿s medieval experience of personal and population-wide suffering, alongside that of more recent theologians such as Dorothy Solle and Jürgen Moltmann, Norton constructs a compassionate model of theodicy that can be of use to both pastoral and systematic theologians. Throughout, he remains sensitive to the raw atrocity of evil, while preserving a vision of God as the one who ensures that all shall be well.

A discussion of the works and school of Andokides, a famous Greek vase-painter of the 6th century active in the transitional period from black to red figure decoration.