Bøger af Richard Watts

Behind the Front Panel by David Rutland, an electronics engineer with over 25 years of experience in the design of vacuum tube circuits, explores the whys and wherefores of the components and circuits of the first broadcast radios. By using simplified descriptions and illustrations, supplemented by 25 photographs of actual radio component parts, he provides a readable explanation of what goes on inside the old battery radios. His story begins with the invention of the radio tube at the turn of the last century and concentrates on the engineering design and development through the 1920's. Design examples are taken from over 45 actual radios manufactured in the decade that saw broadcast radio start as a national pastime and end as a national necessity. This book is a classic in radio history. This edition is carefully re-mastered from the original and published by the California Historical Radio Society.

In Packaging Post/Coloniality, Richard Watts breaks from convention and reads Francophone books by their covers, focusing on the package over the content. Watts looks at the ways that the 'paratext'-the covers, illustrations, promotional summaries, epigraphs, dedications, and prefaces or forewords that enclose the text-mediates creative works by writers from sub-Saharan Africa, the Maghreb, the Caribbean, and Southeast Asia whose place in the French literary institution was and remains a source of conflict. In order to be acceptable for French bookstore shelves, the novels, essays, and collections of poetry created in colonial territories were deemed to need explanation and sponsorship by an authority in the field. Watts finds the French mission civilisatrice, or 'civilizing mission,' manifest in prefaces, introductions, and dedications inserted in the books that appeared in the metropole during the height of French imperialism. In the postcolonial era, book packaging reveals a struggle to reverse the power dynamic: Francophone writers introduced each others' texts, yet books still appeared with covers promoting stereotypical images of the Francophone world. This fascinating journey through a particular cultural history of the book is a unique take on the quest for a literary identity. Watts concludes his study by looking at English mediations of Francophone works, with a chapter on reading and teaching Francophone literature in translation.