Bøger af Robert Atkins

Taking a page out of HP Lovecraft's works, Robert Atkins shares a story of too big, too regretful, too tragic and cosmically horrifying events that surely took place, somewhere, sometime, beyond the stars.Jonathan Porter is a troubled man to say the least, in this lovecraftesque cosmic horror story he will often fight with his own morals, and quite literally with something else living inside him, it calls itself Brody. Not exactly a friend, not exactly a foe, but always working in his own separate interest. Accompanied by Brody, Jonathan embarks on a journey filled with lovecraftian and cosmic horrors beyond comprehension. All simply to get him out of his body, hoping to do some good along the way, he meets a cast of characters, from kind and hospitable to those aforementioned lovecraft inspired cosmic horrors. However, with each step forward, such a cosmic journey proves not to be a simple walk in the park. While living in this cosmic horror filled dimension (The Broken Bridge) taken from the mind of the brilliiant Howard Phillips Lovecraft, Jonathan discovers that sometimes the worst horrors one can encounter, aren't always the ones that actively persue us, such as cosmic beings or lovecraftian monstrousities. But the ones that haunt our minds.In this regretful lovecraft style tale of cosmic proportions, he'll often find himself blurring the line between saint and sinner.

(ADVERTENCIA: NO LEA ESTE LIBRO SI SUFRE DE ANSIEDAD Y DEPRESIÓN)Tomando una página de las obras de HP Lovecraft, Robert Atkins comparte una historia de eventos demasiado grandes, demasiado lamentables, demasiado trágicos y cósmicamente horribles que seguramente tuvieron lugar, en algún lugar, en algún momento, más allá de las estrellas. Jonathan Porter es un hombre problemático, por decir lo menos, en esta historia de terror cósmico al estilo lovecraftesco, a menudo peleará con su propia moral y, literalmente, con algo más que vive dentro de él, alguien que se hace llamar Brody. No exactamente un amigo, no exactamente un enemigo, pero siempre trabajando en su propio interés egoísta. Acompañado por Brody, Jonathan se embarca en un viaje lleno de horrores lovecraftianos y cósmicos más allá de la comprensión humana. Todo simplemente para sacarlo de su cuerpo, con la esperanza de hacer algo bueno en el camino, se encuentra con un elenco de personajes, desde amables y hospitalarios hasta esos horrores cósmicos inspirados en Lovecraft antes mencionados. Sin embargo, con cada paso que da, este viaje cósmico demuestra que no es un simple paseo por el parque. Mientras vive en esta dimensión llena de horror cósmico (El Puente Roto) tomada de la mente del brillante Howard Phillips Lovecraft, Jonathan descubre que a veces los peores horrores que uno puede encontrar, no siempre son los que nos persiguen activamente, como los seres cósmicos. o monstruosidades lovecraftnianas. Pero los que rondan nuestras mentes. En esta lamentable historia de proporciones cósmicas al estilo de Lovecraft, a menudo se verá borrando la línea que separa al santo del pecador.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This book contains artwork from Robert Atkins.

This work, following on from "Artspeak: a Guide to Contemporary Ideas, Movements and Buzzwords", aims to clarify international art terms from realism to surrealism. It features a user-friendly layout and covers terms such as "androgyny", "calotype", "found objects" and "primitivism".

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A revised and expanded third edition of the leading lexicon of contemporary art, now illustrated in full color throughout.