Bøger af Robert Cochran

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"In Reporting for Arkansas, Dale Carpenter and Robert Cochran present a biography of the pioneering Arkansas documentarian Jack Hill alongside a filmography celebrating the reissue of several of Hill's works newly hosted online by the David and Barbara Pryor Center for Arkansas Oral and Visual History"--

During the time of the Crusades, an unlikely trio - a Christian princess, her affianced prince, and a Muslim assassin - embarks on a quest to the court of the most fearsome warrior the world has yet known, Genghis Khan. A rousing tale of adventure and romance about three young people who must grapple with fundamental issues of loyalty, friendship, faith, honour, and courage against the backdrop of conflicts that still resonate today.

Louise Pound (1872-1958) was a distinguished literary scholar, renowned athlete, accomplished musician, and devoted women's sports advocate. She is perhaps best remembered for her groundbreaking work in the field of linguistics and folklore and for her role as the first woman president of the Modern Language Association. Readers of varied interests will find her story compelling.

A rich portrait of the community that is Arkansas manifested in song, Our Own Sweet Sounds celebrates the diversity of musical forms and music makers that have graced the state since territorial times. Beginning with the earliest references to Quapaw and Caddo music as first reported by seventeenth-century European explorers and continuing forward to the "bizarrely named grunge bands" who will be stars tomorrow, Robert Cochran traces the music and voices that have enriched the life of the Natural State. Arkansas, many are starting to realize, was caught in a cultural crossfire of music. There were the nearby western swing influence of Tulsa, the blues of Memphis, the Louisiana Hayride of Shreveport, and the influence of Ozark music from Missouri. All of this resulted in the Arkansas cross-culture of blues, country, folk, and rock music, creating a broad spectrum of musical styles and musicians that has left an indelible impression on the Arkansas cultural scene. This new edition includes approximately seventy new artists, some of whom became famous after 1996, when the first edition was published, such as Joe Nichols, and some of whom were left out of the original edition, such as Little Willie John. The valuable "Featured Performers" section--lengthy discussions of individual artists with their photographs--is now one-third larger. This new edition, heavily illustrated, is a loving tribute to the common music that has filled local airwaves, lifted community gatherings to the level of joyous festivities, and enlivened the spirit of music lovers everywhere. This book is supported by The Old State House Museum--whose exhibit, "Our Own Sweet Sounds," runs through June 2005--and theArkansas Natural and Cultural Resources Council. Hailed as the state's leading folklorist by the Arkansas Times, Robert Cochran is professor of English, chair of American Studies, and director of the Center for Arkansas and Regional Studies at the University of Arkansas. Among his

This book is a lyrical, scholarly exploration of the connection between one family's musical traditions and its rural community of Zion, Arkansas. In 1959, three Gilbert sisters--Alma, Helen, and Phydella--began compiling songs they remembered as their own and sending them to one another in letters. Their tendency to center memory in sound rather than sight reveals an unusual musical birthright. Robert Cochran has constructed a composite portrait of this family for whom music is the center of life. He examines their lived experience as they anchor their history through song, singing, and the playing of musical instruments. The Gilberts are wonderful exemplars of the "mediation of oral tradition," and when approached through their music, they reveal themselves as remarkable individuals with an elaborate and firmly held sense of their unique identities. A decade in the making, Singing in Zion is written with a memoirist's sense of family history and an ethnographer's sense of the rich encounter of worlds. This narrative has a seductive simplicity that conveys much of the Gilbert family's charm while at the same time establishing a broader framework that is firmly academic. It will be enjoyed by all readers.