Bøger af Robert Duncan

Of Living By Faith is a religious book written by Robert Duncan and originally published in 1856. The book explores the concept of faith and its importance in living a fulfilling and meaningful life. Duncan draws on biblical teachings and personal experiences to offer insights into how faith can guide individuals through difficult times and lead them towards a more fulfilling relationship with God. The book is divided into chapters that cover topics such as the nature of faith, the role of prayer, and the importance of living a virtuous life. Duncan's writing is clear and accessible, making this book a valuable resource for anyone seeking to deepen their understanding of faith and spirituality. Overall, Of Living By Faith is a timeless work that continues to inspire readers to this day.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Twelve men come out of the West, hoping to change a little corner of the East. Their mission: to build a progressive international university on the edge of the desert. But it isn't long before the goalposts start to shift, and when a thirteenth man muscles his oar in, the desert comes back to haunt them where it hurts. Al Babul is a cacophony: a blackly comic satire, on Utopian hubris and academic cant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Entertaining retelling of Bible stories ideal for 7+ year old children

In 1970s New York City, Thomas Ransom dreams that rock 'n' roll will be his ticket out of the life his conservative family planned for him, and he takes it to the extreme: burning bridges and houses on the way to discovering his true destiny.

Ranging in original publication dates between 1940 and 1985, this title features forty-one titles that reveal a great deal about Duncan's life in poetry - including his impressions of poets whose work he admires, both contemporaries and precursors.

A collection of poetry and plays that presents annotated texts of both collected and uncollected work from author's middle and late writing years (1958-1988), with commentaries on each of the five books, The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work.

This magisterial work, long awaited and long the subject of passionate speculation, is an unprecedented exploration of modern poetry and poetics by one of America's most acclaimed and influential postwar poets. What began in 1959 as a simple homage to the modernist poet H.D. developed into an expansive and unique quest to arrive at a poetics that would fuel Duncan's great work in the 1970s. A meditation on both the roots of modernism and its manifestation in the work of H.D., Ezra Pound, D.H. Lawrence, William Carlos Williams, Edith Sitwell, and many others, Duncan's wide-ranging book is especially notable for its illumination of the role women played in creation of literary modernism. Until now, The H.D. Book existed only in mostly out-of-print little magazines in which its chapters first appeared. Now, for the first time published in its entirety, as its author intended, this monumental work-at once an encyclopedia of modernism, a reinterpretation of its key players and texts, and a record of Duncan's quest toward a new poetics-is at last complete and available to a wide audience.

A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including Letters: Poems 1953-1956. Deftly edited, it thoroughly documents the first phase of Duncan's distinguished life in writing, making it possible to trace the poet's development as he approaches the brilliant work of his middle period. This volume includes the celebrated works Medieval Scenes and The Venice Poem, all of Duncan's long unavailable major ventures into drama, his extensive "e;imitations"e; of Gertrude Stein, and the remarkable poems written in Majorca as responses to a series of collaged paste-ups by Duncan's life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan's early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems.The volume to follow, The Collected Later Poetry and Plays, will include The Opening of the Field (1960), Roots and Branches (1964), Bending the Bow (1968), Ground Work (1984), and Ground Work II (1987).

An introduction to intelligent network concepts, technology and applications for use in mobile communications networks. It demonstrates how to bring new services to market by explaining the technology, standards, marketability concerns, product development issues and evolutionary trends.

In "Structures of Rime," the open series begun in The Opening of the Field and continued in this volume, Duncan works with ideas, forces, and persons created in language itself--the life and identity of the poet in the poem. With the first thirty poems of "Passages," which form the structural base in Bending the Bow, he has begun a second open series--a multiphasic projection of movements in a field, an imagined universe of the poem that moves out to include all the terms of experience as meaning. Here Duncan draws upon and in turn contributes to a mode in American poetry where Pound's Cantos, Williams's Paterson, Zukofsky's "A," and Olson's Maximus Poems have led the way. The chronological composition of Bending the Bow emphasizes Duncan's belief that the significance of form is that of an event in process. Thus, the poems of the two open series belong ultimately to the configuration of a life in poetry in which there are forms moving within and interpenetrating forms. Versions of Verlaine's Saint Graal and Parsifal and a translation of Gérard de Nerval's Les Chimeres enter the picture; narrative bridges for the play Adam's Way have their place in the process; and three major individual poems--"My Mother Would Be a Falconress," "A Shrine to Ameinias," and "Epilogos"--among others make for an interplay of frames of reference and meaning in which even such resounding blasts of outrage at the War in Vietnam as "Up Rising" and "The Soldiers" are not for the poet things in themselves but happenings in a poetry that involve all other parts of his experience.