Bøger af Robert Frost

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zes into the street And swims the cold and the heat, He has always been there, At least so say the cobbles in the square. They listen to the beat Of the hammered bell, And think of the feet Which beat upon their tops; But what they think they do not tell. And the swans who float Up and down the moat Gobble the bread the Bishop feeds them. The slim bronze men beat the hour again, But only the gargoyles up in the hard blue air heed them. When the Bishop says a prayer, And the choir sing -Amen, - The hammers break in on them there: Clang! Clang! Beware! Beware! The carved swan looks down at the passing men, And the cobbles wink: -An hour has gone again.- But the people kneeling before the Bishop's chair Forget the passing over the cobbles in the square. An hour of day and an hour of night, And the clouds float away in a red-splashed light. The sun, quotha? or white, white Smoke with fire all alight.

This Is A New Release Of The Original 1916 Edition.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm20369687London: Stevens and Haynes, 1898. lv, 919 p.; 26 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School LibraryCTRG95-B2960Includes legislation. Includes index.London: Stevens and Haynes, 1906. 2 v.: forms; 25 cm

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School LibraryCTRG95-B2960Includes legislation. Includes index.London: Stevens and Haynes, 1906. 2 v.: forms; 25 cm

With his second collection, North of Boston, Robert Frost invites the reader to enter his world: "I'm going out to clean the pasture spring...You come too." Invoking the tradition of pastoral poetry, Frost sets himself apart as a writer familiar with the work required of rural life while composing a plainspoken music capable of "mak[ing] gaps even two can pass abreast."

"Two roads diverged in a yellow wood." These words, from "The Road Not Taken," form arguably the most famous single line in all American poetry. Taking as his theme the fine line between will and fate, Frost opens his third collection, Mountain Interval, with an undeniable masterpiece, setting the stage for the poems to come, for their attentive and plainspoken music.

"Two roads diverged in a yellow wood." For over a century, Robert Frost's poetry has struck readers for its simple, plainspoken language and quiet devotion to the soul of the natural world. Selected Poems is a generous sampling of some of the poet's early works, including "The Road Not Taken," "After-Apple Picking," and "Mowing."

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Celebrate Robert Frost's 150th birthday with a deluxe keepsake edition featuring 16 of his greatest poems--with brilliant essays highlighting his special genius and the power of memorization to unlock the magic of his language During a public reading Robert Frost was once asked why he so frequently recited his poems from memory. With typical wit, he replied: "If they won't stick to me, I won't stick to them." Remarkably among the modern poets, his poems "stick" to the reader: "Mending Wall," with its famous invocation of the rural maxim "Good fences make good neighbors""The Road Not Taken," about the beguiling possibilities of life"Birches," which reminds us that "One could do worse than be a swinger of birches"Stopping by Woods on a Snowy Evening," with its unforgettable final line: "And miles to go before I sleep.">Anyone who has read and loved Frost's poetry will want to own and treasure this little gift edition. Those reading Frost for the first time or those wishing to become better acquainted with one of America's greatest poets will not find a better, more insightful guide than Jay Parini.

North of Boston, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.

Robert Frost, an American poet, compiled his poems in Selected Poems (1923). Selected Poems is a wonderful list of poems from Frost's early collections, including A Boy's Will and North of Boston. It is dedicated to Edward Thomas, a friend of Frost's and a significant English poet who passed away toward the end of the First World War. Robert Frost is one of the most well-known poets in America, a voice to which generations of readers have turned in search of beauty, music, and life. He is renowned for his straightforward language and dedication to the images and rhythms of rural New England.Through the lens of rural labor, "Mowing" imagines the poet's work. The only sound that occasionally came from the woods was my long scythe whispering to the ground. What did it whisper? The speaker is unaware but carries on with his task while being hypnotized by the music's rhythm.As fall gives way to winter, the poet recalls in "After Apple-Picking" how, while ascending the ladder into the center of the tree, "Magnified apples appear and disappear, / Stem end and blossom end."Perhaps Robert Frost's most well-known poem, "The Road Not Taken," depicts a traveler in an autumnal landscape who isn't sure which way to go but is certain he must move forward.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An exquisite picture book based on Robert Frost's poem "Stopping by Woods on a Snowy Evening" illustrated by master artist, P. J. Lynch. The woods are lovely, dark and deep,But I have promises to keep,And miles to go before I sleep,And miles to go before I sleep. Award-winning artist-author P.J. Lynch brings Robert Frost's iconic poem "Stopping by Woods on a Snowy Evening" to life with his atmospheric and exquisitely detailed illustrations. The horse and its mysterious rider are expertly rendered against the striking background of a dark woods shrouded in snow. This edition is the perfect gift for adults and children alike.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Whether memorized by schoolchildren or used to eulogize a president, "Stopping by Woods on a Snowy Evening," written in 1922 and published in 1923, has found a place as one of the best-loved and best-known American poems of the last hundred years. Now, six decades after the passing of its author, Robert Frost, celebrated artist P.J. Lynch brings this classic to new life with exquisitely detailed illustrations, evoking its iconic moments and wintry setting on the outskirts of a small village."--

First published in 1923, "New Hampshire" by famed American poet Robert Frost, is one of the most beautiful and famous collection of poems in American literature. The book contains many of Frost's most well-known and beloved poems, such as "Stopping by Woods on a Snowy Evening", "Nothing Gold Can Stay", "Fire and Ice", and "The Need of Being Versed in Country Things". Frost won the first of his four Pulitzer Prizes for "New Hampshire" and he would go on to be awarded the Congressional Gold Medal in 1960 for his poetry and was named the poet laureate of Vermont in 1961. Frost's immortal poems have become an essential part of the fabric of American culture and continue to inspire modern poets, authors, film makers, and artists. Some of literature's most famous and often quoted lines may be found in this collection by a true master of verse. Frost taught English for many years and encouraged his students to capture the various inflections, tones, and cadences of the spoken English language in his writing, an approach he perfected in his own work and referred to as "the sound of sense". This timeless collection belongs in the library of everyone who appreciates American literature and poetry. This edition is printed on premium acid-free paper and includes the woodcut illustrations by J. J. Lankes which appeared in the first edition.