Bøger af Robert Mills

This guidebook provides accurate sailing directions for mariners, along with a general overview of the American coast from the St. Lawrence River to the Rio de Norte. The book includes detailed accounts of the lights on the Gulf of Mexico and Caribbean Sea. It is an indispensable resource for sailors and navigators.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

When senior nurse, Jenny Butcher, is strangled in her flat, Detective Inspector Sanjay Patel, a British-born Indian who dropped out of medical school to join the police, is part of the team led by Chief Inspector Tracy Taylor that investigates her murder. After divorcing her husband, Jenny had moved to London to make a fresh start.

On his first day as a newly appointed detective sergeant with Merton CID, Sanjay Patel is asked to investigate investigation into the suspicious death of crime writer Joan Templeton. The brake lines of her car have been severed, resulting in her crashing the car.

Essays examining both the theory and practice of medieval translation.

First exploration of Jarman's engagement with the medieval, revealing its importance to his work.FINALIST IN THE HISTORIANS OF BRITISH ART BOOK AWARDS 2020 The artist and filmmaker Derek Jarman (1942-1994) had a lifelong appreciation of medieval culture. But with the possible exception of Edward II, Jarman's films have not been identified to date as making a major contribution to the depiction of the Middle Ages in cinema. This book is the first to uncover a rich seam of medievalism in Jarman's art. Taking in major features such as Caravaggio, The Garden and The Last of England, as well as some of the unrealised screenplays and short experimental films, the book proposes an expanded definition of medieval film that includes not just worksset in or about the Middle Ages, but also projects inspired more broadly by the period. It considers Jarman's engagement with Anglo-Saxon poetry (notably The Wanderer); with works by fourteenth-century poets such as Chaucer, Dante and Langland; with saints and mystics from Joan of Arc to Julian of Norwich; and with numerous paintings, buildings and objects from this so-called "e;middle"e; time. Organised around several key themes - periodisation,anachronism, ruins and wandering - the book also asks what happens when (with Jarman, but also more broadly) we think the categories "e;medieval"e; and "e;modern"e; together. As such, it will be of interest to film scholars, art historians and medievalists of all stripes who wish to rattle the temporal cages of their fields. ROBERT MILLS is Professor of Medieval Studies at University College London.

A story of love and betrayal among the first colonists of Jupiter's moon Europa. A book that imagines people's every-day lives in a colony established in caves beneath the surface of Jupiter's icy moon.

Challenging the view that ideas about sexual and gender dissidence were too confused to congeal into a coherent form in the Middle Ages, the author demonstrates that sodomy had a rich, multimedia presence in the period - and that a flexible approach to questions of terminology sheds new light on the many forms this presence took.