Bøger af Robert Wexelblatt

These tales will take you into the lives of characters you will long remember: -a peasant boy in war-torn Sui China survives a perilous journey and finds his vocation as a poet -an American novelist is invited to the European city he has never visited but in which he sets all his books. -a coed seduces the conductor of a German orchestra then is trapped with both in the middle of a Middle Eastern war. -an elderly Frenchwoman is interviewed about her time as a model for two famous modernists In the title story, dream and memory unveil the profound tale of a persecuted Chinese artist and his Americanized daughter.

Other Places, Other Times is a collection of twenty-six historical fictions. Thirteen of the stories are about Chen Hsi-wei, an imaginary peasant/poet of the Sui period, circa 600 C.E.As a boy, Hsi-wei served the emperor on a perilous mission. He turned down the offer of material rewards in favor of an education which made him a poet. Hsi-wei travels the empire making straw sandals and verses. The narratives account for Hsi-wei's poems, which are also included.The other thirteen stories are set in various times and locations, from post-war England to Renaissance Italy, Paris in the Fifties to post-war Germany, South America in the sixteenth century to Hesse in the mid-nineteenth, Ruthenia in the seventeenth, and the American West after the Civil War.

The imaginary author/teacher/father Sidney Fein (1942-1984) was born in Philadelphia, Pennsylvania. His family's fortune came from the business of clothing women of modest means. He attended elementary school in Philadelphia. When he was twelve, his family moved to New York City. He earned a bachelors' degree from Columbia University, where he concentrated in the study of languages and literature. He went on to study at the University of Pennsylvania, from which he received a doctorate in philosophy in 1964. Fein was married in 1966. His daughter, Maya Nunfi Fein, was born in 1967. He and his wife separated in 1973 and divorced shortly thereafter. Fein raised Maya on his own. Thanks to an inheritance, he had independent means which allowed him to write and also to accept occasional teaching appointments.Fein published three books: Diptych on Terrestrial Representation (1973), Want, Desire, and Need (1977), and Aristocratic Democracy (1983). In addition to his books, Fein produced a quantity of verse and fiction, much of it unpublished and some published under pseudonyms. Pseudonymity is just one of the themes of the collection but its scope is wide and unpredictable. Among the thirty-five pieces are a keynote address, short stories, poems, essays on a variety of philosophical and literary subjects, including the work of other imaginary authors. Each piece is accompanied by remarks from the scholar who, at the behest of his daughter, has edited the papers left behind by Fein on his death at the age of forty-two. The book includes a preface from the actual author and a postscript that includes a retrospective essay on Fein's work by an imaginary critic along with notes for the new book Fein was just beginning when he died.

Fiction. The fourteen stories in HEIBERG'S TWITCH were not selected for their resemblance to one another, but for their differences in character, tone, and form. The aim is to deploy imagination and invention to furnish tales about the variety of human conditions, the scope of thought, the diversity of experience. Settings range from a Scandinavian island to ancient Chinese courts, from the streets of Hyde Park in Boston to the galleries of midtown Manhattan, from Southern California to Eastern Europe, from Africa to South America--in one story, both continents at once. The stories are populated by schoolboys and poets, dictators and delinquents, college girls and composers, businessmen and scientists. Each tale conjures its own world, has its own language, aims to illuminate a distinct experience, a unique situation. Like human life, the stories in HEIBERG'S TWITCH are comic sad, pathetic, perplexing, and tragic.