Bøger af Robin Skeates

Prehistoric objects were for many years, viewed as curiosities, symbols of an ancient past, collected and desired because of their rarity and longevity. In the 16th century prehistoric objects were making their way into private collections, endowed with the interpretations and beliefs of their owners.

Edited by two pioneers in the field of sensory archaeology, this handbook comprises a key point of reference for the ever-expanding field of sensory archaeology: one that surpasses previous books in this field, both in scope and critical intent.

This book draws on the complementary fields of visual cultural studies and interpretative archaeology to examine how successive generations transformed their visual culture to construct themselves. It explores this process through an extended case-study of art and social life in prehistoric south-east Italy, between the Upper Palaeolithic and the Bronze Age. A central argument of the book is that a wide range of visually communicative artworks were consumed and produced in the cultural process. Such objects range from portable artefacts, to installations within sites, to monumental structures in the landscape - all of which were interwoven with people''s bodies in the experiences of daily life and special performances. More specifically, it is argued that these powerful aesthetic objects were actively used by people across space and time to perceive the world around them and to reproduce their social lives. They helped people to establish personal and collective boundaries, identities and relationships, to acquire and exercise power, to promote ideologies, and to contest them, especially at time of social tension.

This introduction to contemporary debates surrounding their rival claims deals with defining, owning, protecting, managing, interpreting, and experiencing the archaeological heritage. How should the archaeological heritage be presented to the public?