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Album provides an unparalleled look into Roland Barthes's life of letters. It presents a selection of correspondence, from his adolescence through the last years of his life. The first English-language publication of Barthes's letters, Album is a comprehensive testimony to one of the most influential critics of the twentieth century.
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Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy, semiological essays on mass culture, then unsettled the literary critical establishment with heretical writings on the French classics, before going on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century (Empire of Signs, S/Z, The Pleasure of the Text, Camera Lucida, Roland Barthes by Roland Barthes). In 1976, the one-time structuralist 'outsider' was elected to a chair at France's pre-eminent academic institution, the College de France, choosing to style himself its Professor of Literary Semiology, though this last somewhat hedonistic and more 'subjectivist' phase of his intellectual adventure was cut short by his untimely death in 1980. The greater part of Barthes's published writings have been available to a French audience since the publication in 2002 of the expanded version of his Oeuvres completes [Complete Works], edited by Eric Marty. The present collection of essays, interviews, prefaces, book reviews and other occasional journalistic pieces, all drawn from that comprehensive source, attempts to give English-speaking readers access to the most significant previously untranslated material from the various stages of Barthes's career. It is divided (not entirely scientifically) into five themed volumes entitled: Theory, Politics, Literary Criticism, Signs and Images (Art, Cinema, Photography), and Interviews. Barthes's earliest interest is in literature--in theatre and the classic realist novel, but also in the more experimental writers of the 1940s and 50s (literature of the absurd, nouveau roman etc.). The articles translated in this volume run from his mid-1950s writings on popular poetry, the giants of the nineteenth century novel (Hugo, Maupassant, Zola), and the narrative innovations of Robbe-Grillet and his associates through to writings from his later years on Sade, Rousseau and Voltaire, and the longer study 'Masculine, Feminine, Neuter' which is, in the words of his French editor, the 'first outline' of his remarkable critical work S/Z.
"Notes for a lecture course and seminar at Collaege de France (1976-1977)"-- T.p
French philosopher and literary theorist Roland Barthes was one of the leading influences on the post-structuralist movement in twentieth-century literary thought. This title presents the life and thought of Barthes, through a work that is a testament to Barthes' belief that a literary work should invite the active participation of the reader.
In these interviews, given between 1962 and 1980, Barthes speaks about the development of his thought, explaining why and how he wrote his many books, paying tributes to philosophers, linguists, novelists, poets, painters and film-makers who have inspired him, as well as discussing how his life became dedicated to an exploration of semiotics.
Fashion never ceases to interest psychologists, aestheticians and sociologists. Roland Barthes, however, examined fashion from a new point of view. In his endeavour to confine his love, outrage and passion for fashion to a system, Barthes created a work of literature that is witty, humane, personal and enormously stimulating
Semiology is the science of signs and symbols, and their role in culture and society. This title presents a scientific definition of Saussurean linguistics and their aftermath.
Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society. His classic works include Mythologies and Camera Lucida. This work in the Barthes canon offers a discussion of the language of literary criticism.
Blurring the distinction between high and low, this work asks "What is sport?" In investigating the phenomenon, it considers five different national sports: bullfighting (Spain), car racing (America), cycling (France), hockey (Canada), and soccer (England).
The Neutral ( le neutre) escapes or undoes the paradigmatic binary oppositions that structure and produce meaning in Western thought and discourse. This book centers around 23 "figures," also referred to as "traits" or "twinklings," that are possible embodiments of the Neutral or of the anti-Neutral.
S/Z is the linguistic distillation of Barthesa s system of semiology, a science of signs and symbols, in which Balzaca s novella, Sarrasine, is dissected semantically to uncover layers of hidden meaning.
An introduction to the thinking of the French intellectual, Roland Barthes, as applied to such diverse topics as Gide, Garbo, striptease, photography and the Eiffel Tower. The pieces in this collection were written over a period of three decades.
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