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This book provides a comprehensive account of German animation history, as well as an analysis of the current state of the industry in competition with American and cheaper international products in the face of dwindling budgets.
Can your heart stand the shocking facts about the Nazi infiltration of the Hollywood Motion-Picture Industry in the aftermath of World War 2?
Can your heart stand the shocking facts about the Nazi infiltration of the Hollywood Motion-Picture Industry in the aftermath of World War 2?
Acting and animation are highly creative processes. This book is divided into two parts: From film history we learn about the importance of actors and the variety of acting that goes into animation; then, we turn to the actor's point of view to describe the various techniques involved.
Throughout the course of film history, artists have used matte painting, stop-motion animation, model photography, process cinematography, in-camera effects, travelling mattes, optical printing and physical and floor effects to entertain audiences. These are the special effects artists in this book. The biographical entries provide career synopses and movie credits, spanning the early years of cinematography through the end of the mechanical age of filmmaking, marked by Steven Spielberg's Jurassic Park and its combination of conventional effects and computer-generated images. An extensive filmography, numerous stills, a glossary, a bibliography and index are presented.
Focuses on Nazi propaganda feature films and feature-length documentaries made in Germany between 1933 and 1945 and released to the public. This book provides short biographies of actors, directors, producers, and others who were involved in the making of Nazi propaganda films.
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