Bøger af Ron Eyerman

From police on the street, to the mayor of New Orleans and FEMA administrators, government officials monumentally failed to protect the most vulnerable residents of New Orleans and the Gulf Coast during the Katrina disaster. This violation of the social contract undermined the foundational narratives and myths of the American nation and spawned a profound, often contentious public debate over the meaning of Katrina's devastation. A wide range of voices and images attempted to clarify what happened, name those responsible, identify the victims, and decide what should be done. This debate took place in forums ranging from mass media and the political arena to the arts and popular culture, as various narratives emerged and competed to tell the story of Katrina. Is This America? explores how Katrina has been constructed as a cultural trauma in print media, the arts and popular culture, and television coverage. Using stories told by the New York Times, New Orleans Times-Picayune, Time, Newsweek, NBC, and CNN, as well as the works of artists, writers, musicians, filmmakers, and graphic designers, Ron Eyerman analyzes how these narratives publicly articulated collective pain and loss. He demonstrates that, by exposing a foundational racial cleavage in American society, these expressions of cultural trauma turned individual experiences of suffering during Katrina into a national debate about the failure of the white majority in the United States to care about the black minority.

This volume brings together Ron Eyerman's most important interventions in the field of cultural trauma and offers an accessible entry point into the origins and development of this theory and a framework of an analysis that has now achieved the status of a research paradigm.

Developing the theory of cultural trauma in regard to the shattering potential effects of political assassinations, Eyerman examines political and social life in three different national contexts: Martin Luther King, Bobby Kennedy, and Harvey Milk in the U.S.; Theo Van Gogh in the Netherlands; and Olof Palme and Anna Lindh in Sweden

Explores the multiple meanings of the November 2004 murder of Dutch filmmaker Theo van Gogh and the different reactions it elicited: among the Amsterdam-based artistic and intellectual subculture, the wider Dutch public, the local and international Muslim communities, the radical Islamic movement, and the broader international community.

In this collaboratively authored work, five distinguished sociologists develop an ambitious theoretical model of "e;cultural trauma"e;-and on this basis build a new understanding of how social groups interact with emotion to create new and binding understandings of social responsibility. Looking at the "e;meaning making process"e; as an open-ended social dialogue in which strikingly different social narratives vie for influence, they outline a strongly constructivist approach to trauma and apply this theoretical model in a series of extensive case studies, including the Nazi Holocaust, slavery in the United States, and September 11, 2001.

Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement. This highly readable book is among the first to link the political sociology of social movements to cultural theory.

aeo This is the first new interpretation to be made of the role of the intellectual for many years. aeo It has a strongly comparative approach. aeo The author is well known for his work on social movements. aeo This is the first new interpretation to be made of the role of the intellectual for many years.

aeo With its integration of both American and European approaches, this book is a highly original study of social movements. aeo Eyerman and Jamison see social movements through a social theory of knowledge that is both politically and historically informed.

Selv om socialkonstruktivismen stadig mødes af kritik fra flere sider, er de dage talte, hvor socialkonstruktivismen kunne siges at indtage en marginal position i samfundsvidenskaberne. Den socialkonstruktivistiske diskussion har imidlertid overvejende fundet sted på et overordnet videnskabsteoretisk niveau. Udgangspunktet for denne antologi er, at der i brug for i højere grad at diskutere, hvilken forskel socialkonstruktivismen gør i den konkrete analyse. Med udgangspunkt i dette spørgsmål anlægges der i antologien et analysestrategisk perspektiv på socialkonstruktivismen.Bogen præsenterer en række forskellige analysestrategier, sådan som de udfoldes i de vigtigste forfatterskaber inden for traditionen. Bogen udgør dermed et inspirerende katalog over socialkonstruktivismens omsætning til konkrete strategier for forskning, der har relevans både for studerende og forskere.Socialkonstruktivistiske analysestrategier omfatter både de bindestregssociologier, der udgør det oprindelige grundlag for socialkonstruktivismen (videnssociologien, hverdagssociologien, kultursociologien), den aktuelle institutionalisme (institutionel historie, spilanalyse og rolleanalyse) og den mere felt- og praksisorienterede tradition (aktør-netværks analyse, feltanalyse og narratologi).Bogen er produceret sideløbende med bogen Poststrukturalistiske analysestrategier, også udgivet på forlaget Roskilde Universitetsforlag.