Bøger af Rudolf Westphal

Best remembered for his contribution to the study of Greek music and metre, the German classical philologist Rudolf Westphal (1826-92) had originally studied theology at the University of Marburg before turning his attention to comparative linguistics. He learnt Sanskrit and Arabic and took a keen interest in the Indo-Germanic (Indo-European) languages as well as Semitic grammar. In the late 1850s and early 1860s he joined his friend and fellow classical philologist August Rossbach (1823-98) at the University of Breslau (Wroclaw) and later taught at Moscow's Imperial Lyceum. In this work, first published in 1873, Westphal provides the reader with an overview of the Indo-European languages and their sounds. He then gives an extensive account of Indo-European verbs by focusing on the roots derived from Latin and Sanskrit.

The German classical philologist Rudolf Westphal (1826-92) had originally studied theology at the University of Marburg before turning his attention to comparative linguistics. He learnt Sanskrit and Arabic and took a keen interest in Indo-European languages and Semitic grammar. In the late 1850s and early 1860s he joined his friend and fellow philologist August Rossbach (1823-98) at the University of Breslau (Wroclaw) and later taught at Moscow's Imperial Lyceum. In this 1883 work, he gives an extensive account of melody and rhythm in ancient Greek music. Westphal is full of admiration for the philosopher Aristoxenus (born c.370 BCE), whom he hails as 'the founder of musicology'. Following Aristoxenus' distinction between melody (quality of tone) and rhythm (quantity of tone), Westphal divides his work into two parts that describe and exemplify these components in detail. His multi-volume Theorie der musischen Kunste der Hellenen is also reissued in this series.

Rudolf Westphal (1826-92) originally studied theology at the University of Marburg before turning to classical philology and comparative linguistics. He learnt Sanskrit and Arabic and took a keen interest in Indo-European languages and Semitic grammar. In the late 1850s and early 1860s he joined his friend and fellow philologist August Rossbach (1823-98) at the University of Breslau (Wroclaw). This multi-volume work on ancient Greek metre and music resulted from their collaboration. Reissued here is the revised third edition published in four parts between 1885 and 1889. Part 1 of Volume 3 (1887), which features the input of classical scholar Hugo Gleditsch (1837-1913), discusses the distinction drawn by Aristoxenus between singing and speaking. The volume also focuses on prosody and different types of verse feet.

Rudolf Westphal (1826-92) originally studied theology at the University of Marburg before turning to classical philology and comparative linguistics. He learnt Sanskrit and Arabic and took a keen interest in Indo-European languages and Semitic grammar. In the late 1850s and early 1860s he joined his friend and fellow philologist August Rossbach (1823-98) at the University of Breslau (Wroclaw). This multi-volume work on ancient Greek metre and music resulted from their collaboration. Reissued here is the revised third edition published in four parts between 1885 and 1889. Volume 2 (1886) is devoted to Westphal's thorough account of melody and harmony in Greek music. He provides a general introduction to the development of Greek melody through history as well as an account of Aristoxenus' theory on intervals. The latter part of the volume focuses on the scholarship relating to harmonies and scales.

Rudolf Westphal (1826-92) originally studied theology at the University of Marburg before turning to classical philology and comparative linguistics. He learnt Sanskrit and Arabic and took a keen interest in Indo-European languages and Semitic grammar. In the late 1850s and early 1860s he joined his friend and fellow philologist August Rossbach (1823-98) at the University of Breslau (Wroclaw). This multi-volume work on ancient Greek metre and music resulted from their collaboration. Reissued here is the revised third edition published in four parts between 1885 and 1889. Volume 1 (1885) is given over to Westphal's study of Greek rhythm, noting the contributions made by both ancient and modern thinkers. As in his 1883 Musik des griechischen Alterthumes (also reissued in this series), he pays particular attention to the fourth-century philosopher Aristoxenus, presenting the latter's theories on rhythm.