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'Brilliantly plotted . . . a spellbinder . . . it has a style that glows and crackles.' Spectator'Hugely funny, provocative, pathetic and heroic.' TLS'What are we, Papa?' the toy mouse child asked his father. 'I don't know,' the father answered. 'We must wait and see.'So begins the story of a tin father and son who dance under a Christmas tree until they break the ancient clockwork rules and are themselves broken. Thrown away, then rescued from a dustbin and repaired by a tramp, they set out on a dangerous quest for a family and a place of their own - the magnificent doll's house, the plush elephant and the tin seal they had once know in the toy shop.
Read again or for the first time this masterpiece of 20th-century literature with new material by the author.
When Mildred goes off to a big party where little brothers are not invited, Harvey finds a secret club in a secret place where big sisters are not allowed to be members. But when Harvey's lonesomeness overpowers his stubbornness, he discovers that a secret club with two members is much better. Full color.
One day Thelma tricks Frances into buying her old plastic tea set. Thelma says there are no backsies on the bargain. Can Frances come up with a plan that will change her friend's mind?
Re-issued to coincide with the centenary of Messiaen's birth, The Messiaen Companion was the first major study to appear after the composer's death in April 1992. It was the first book to offer both a complete survey of Messiaen's extraordinary achievements and a comprehensive guide to his music, also examining in detail the enduring inspiration which Messiaen derived from his religious faith and from his lifelong passion for ornithology and the natural world. The contributors, all of whom have made a special study of the composer, include two biographers of Messiaen and a number of the foremost interpreters of his music. Messiaen's influential teaching is recalled in essays by three of his pupils (Pierre Boulez, George Benjamin, and Peter Hill), and the composer is also remembered in a remarkable and moving contribution from his widow and devoted musical companion, the pianist Yvonne Loriod.
Tom is happy with his new Aunt Bundlejoy Cosysweet who is delighted to be asked to join him in his latest invention, a jam-powered frog. When the frog hops past Captain Najork's window, Tom does not expect to be chased by a pedal powered snake, complete with the Captain and his hired sportsmen, bent on revenge.
Tom is so good at fooling around that he does little else. His Aunt Fidget Wonkham-Strong, who thinks this is too much like having fun, calls upon the fearsome Captain Najork and his hired sportsmen to teach him a lesson. So the Captain challenges Tom to three rounds of womble, muck, and sneedball, certain that he will win.
Recently widowed and increasingly lonely, Roswell's life had arrived at the point when he felt he needed a tattoo. His ideal image was that of a bat featured on an 18th-century bowl in the Victoria and Albert Museum, but strangely, on a visit to the museum, he encountered a woman called Sarah, who was compelled by the same bat. What did it mean?
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