Bøger af Safiya Sinclair

Igennem hele Safiya Sinclairs barndom er hendes far — en lunefuld reggaemusiker og militant tilhænger af en streng rastafarisekt — besat af hendes og hendes søstres renhed. Mest af alt frygter han truslen fra det, rastaerne kalder Babylon: den vestlige verdens ødelæggende og fordærvende indflydelse, som lurer lige uden for familiens havelåge.For at holde Babylon på afstand opstiller han en lang række regler, pigerne skal overholde. De bliver tvunget til at gå i lange nederdele og få dreadlocks i håret, og med undtagelse af deres skolegang er hele deres tilværelse underlagt hans snærende bånd. For Safiya er det en opvækst præget af kontrol, rodløshed, fattigdom og vold, men også morens varme og kærlighed. Selvom hun er loyal over for sin mand, giver hun sin datter den ene gave, der kan befri hende fra en fremtid som rastakvinde: en verden af poesi, viden og uddannelse.Efterhånden som Safiya bliver ældre, udvikler hun langsomt sin egen stemme som digter og kvinde, og i takt med at stemmen bliver stærkere, tør hun endelig forsøge at vriste sig ud af sin fars greb.DETTE ER BABYLON er Safiya Sinclairs barske beretning om den kultur, der både opfostrede hende og forsøgte at få hende til at tie, om tilgivelsens helende kraft og poesien, der blev hendes livline til verden uden for havelågen.

A New York Times Notable Book Best Book of the Year for The Washington Post* The New Yorker * Time * The Atlantic * Los Angeles Times * NPR * Harper's Bazaar * Vulture * Town & Country * San Francisco Chronicle * Christian Science Monitor * Mother Jones * Barack Obama A Read with Jenna Today Show Book Club Pick "Impossible to put down...Each lyrical line sings and soars, freeing the reader as it did the writer." --People With echoes of Educated and The Glass Castle, How to Say Babylon is a "lushly observed and keenly reflective chronicle" (The Washington Post), brilliantly recounting the author's struggle to break free of her rigid religious upbringing and navigate the world on her own terms. Throughout her childhood, Safiya Sinclair's father, a volatile reggae musician and a militant adherent to a strict sect of Rastafari, was obsessed with the ever-present threat of the corrupting evils of the Western world outside their home, and worried that womanhood would make Safiya and her sisters morally weak and impure. For him, a woman's highest virtue was her obedience. Safiya's extraordinary mother, though loyal to her father, gave her the one gift she knew would take Safiya beyond the stretch of beach and mountains in Jamaica their family called home: a world of books, knowledge, and education she conjured almost out of thin air. When she introduced Safiya to poetry, Safiya's voice awakened. As she watched her mother struggle voicelessly for years under relentless domesticity, Safiya's rebellion against her father's rules set her on an inevitable collision course with him. Her education became the sharp tool to hone her own poetic voice and carve her path to liberation. Rich in emotion and page-turning drama, How to Say Babylon is "a melodious wave of memories" of a woman finding her own power (NPR).

SHORTLISTED FOR THE 2024 WOMEN'S PRIZE FOR NON-FICTION'Dazzling. Potent. Vital' TARA WESTOVER'A story about hope, imagination and resilience'GUARDIAN'I adored this book ... Unforgettable' ELIF SHAFAK

"Throughout her childhood, Safiya Sinclair's father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that womanhood would make Safiya and her sisters morally weak and impure, and believed a woman's highest virtue was her obedience. In an effort to keep Babylon outside the gate, he forbade almost everything. In place of pants, the women in her family were made to wear long skirts and dresses to cover their arms and legs, head wraps to cover their hair, no make-up, no jewelry, no opinions, no friends. Safiya's mother, while loyal to her father, nonetheless gave Safiya and her siblings the gift of books, including poetry, to which Safiya latched on for dear life. And as Safiya watched her mother struggle voicelessly for years under housework and the rigidity of her father's beliefs, she increasingly used her education as a sharp tool with which to find her voice and break free. Inevitably, with her rebellion comes clashes with her father, whose rage and paranoia explodes in increasing violence. As Safiya's voice grows, lyrically and poetically, a collision course is set between them. How to Say Babylon is Sinclair's reckoning with the culture that initially nourished but ultimately sought to silence her; it is her reckoning with patriarchy and tradition, and the legacy of colonialism in Jamaica. Rich in lyricism and language only a poet could evoke, How to Say Babylon is both a universal story of a woman finding her own power and a unique glimpse into a rarefied world we may know how to name, Rastafari, but one we know little about"--

HOW TO SAY BABYLON is the stunning story of the author's struggle to break free of her Rastafarian upbringing and the culture that initially nourished but ultimately sought to silence her. It is her reckoning with patriarchy and tradition, and the legacy of colonialism in Jamaica, to find her own power and voice as a woman and poet.

"Throughout her childhood, Safiya Sinclair's father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that womanhood would make Safiya and her sisters morally weak and impure, and believed a woman's highest virtue was her obedience. In an effort to keep Babylon outside the gate, he forbade almost everything. In place of pants, the women in her family were made to wear long skirts and dresses to cover their arms and legs, head wraps to cover their hair, no make-up, no jewelry, no opinions, no friends. Safiya's mother, while loyal to her father, nonetheless gave Safiya and her siblings the gift of books, including poetry, to which Safiya latched on for dear life. And as Safiya watched her mother struggle voicelessly for years under housework and the rigidity of her father's beliefs, she increasingly used her education as a sharp tool with which to find her voice and break free. Inevitably, with her rebellion comes clashes with her father, whose rage and paranoia explodes in increasing violence. As Safiya's voice grows, lyrically and poetically, a collision course is set between them"--

A beautiful debut collection from Jamaican poet Safiya Sinclair that draws on our colonial history and speaks powerfully to our present moment.

Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure.