Bøger af Sam Roberts

Flying pigs, retro hairstyles and hand grenades are among some of the images found in this book celebrating the art and craft of Cambodia's hand-painted advertising. The book introduces the signs, the people who paint them, and explores their links to Cambodian art, culture and history.The stories of the signs and their makers are inseparable from events in Cambodia over the last 40 years, notably the impact of the infamous Khmer Rouge regime. This crushed both art and commerce, the two spheres of activity straddled by these hand-painted signs. Their rise and gradual fall since this time takes the reader up to the current day and the uncertain future faced by this characteristic feature of Cambodia's streets.In considering the signs, the sign painters speak and share their thoughts, while others provide insights from the perspective of outsiders living and working in Cambodia. These include the author's reflections on his own engagement with the signs, and the stories they tell. This book is his tribute to this charming piece of Cambodian culture that has endured a turbulent past and faces similarly rough waters ahead.The signs featured in this book are given full English translations in a comprehensive notes section. A Khmer translation of the text is also available on the website, alongside a host of other bonus material including videos, additional photographs, and useful links: http: //kratie.ghostsigns.co.uk

In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities. Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by The New York Times urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, America's Mayor is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles. With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.

"The story of America's great metropolis, told through 101 distinctive objects that span the history of New York, all reproduced in full color. Modeled on the best-selling A history of the world in 100 objects, this is the story of America's great metropolis, told through 101 significant objects that span the history of New York"--

“A fresh and fast-paced study of one of the most important crimes of the twentieth century” (The Washington Post), The Brother now discloses new information revealed since the original publication in 2003—including an admission by his sons that Julius Rosenberg was indeed a Soviet spy and a confession to the author by the Rosenbergs’ co-defendant.Sixty years after their execution in June 1953 for conspiring to steal atomic secrets, Julius and Ethel Rosenberg remain the subjects of great emotional debate and acrimony. The man whose testimony almost single-handedly convicted them was Ethel Rosenberg’s own brother, David Greenglass, who recently died. Though the Rosenbergs were executed, Greenglass served a mere ten years in prison, after which, with a new name, he disappeared. But journalist Sam Roberts found Greenglass, and then managed to convince him to talk about everything that had happened. Since the original publication of The Brother, Roberts sued to release grand jury testimony, which further implicates Greenglass and demonstrates how the prosecution was tainted. One of the defendants, Morton Sobell, admitted to Roberts that he and Julius Rosenberg were spies. Furthermore, Michael and Robert Meeropol, the Rosenbergs’ sons, acknowledged to Roberts that although their mother was not legally culpable, that the “secret” to the atomic bomb was not compromised, and that the death penalty was excessive, their father was, in fact, guilty of conspiracy to commit espionage on behalf of the Soviet Union. Now released with this important new information, The Brother is more than ever, “A gripping account of the most famous espionage case in US history…an excellent book, written with flair and alive with the agony of the age” (The Wall Street Journal).

A rich, illustrated - and entertaining -- history of the iconic Grand Central Terminal, from one of New York City's favorite writers, just in time to celebrate the train station's 100th anniversary.

Original edition published 2009 by St. Martin's Press.

A revealing view of America and its citizens at the dawn of a new century, by the author of the New York Times Notable Book Who We AreFor more than two centuries, America has taken stock every decade, producing a statistical self-portrait of our population. In Who We Are Now, Sam Roberts identifies and illuminates the trends and social shifts changing the face of America today. America is in the midst of a fundamental transformation. The nation's complexion changed significantly over the twentieth century, creating more varied and intermingled identities, and with the baby boomers nearing retirement and their children entering college, the graying of America has been balanced, precariously, by the youth culture. And in the wake of welfare reform in the 1990s, the fate of the working poor has become all the more tenuous. Roberts masterfully weaves stories of individuals from all corners of the country alongside the data from the latest U.S. census, creating a compelling guided tour of the places, personalities, and politics that will shape America as the new century stretches before us.