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Topics covered include film and radio broadcasting as propaganda in wartime and postwar Asia; meaning construction of archival film footage in the politics of memory; historical fiction films' representation of colonial memory in the postcolonial society; how archival practices and documentary-making collectively resist forgetting state violence; and the use of virtual reality technology in the representation of historical trauma in museums. Contributors Juyeon Bae, Peter J. Bloom, Malinee Khumsupa, Chung-kang Kim, Han Sang Kim, Sudarat Musikawong, Sandeep Ray
Uses the case of Dutch colonial film in Indonesia to show how a critically-, historically- and cinematically-informed reading of colonial film in the archive can be a powerful and unexpected source, and one more easily accessible today via digitisation.
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