Bøger af Sarah Holland-Batt

With electrifying boldness, Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father's Parkinson's Disease, and a daughter forged by grief. Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body's animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt's lyric intensity and linguistic mastery, along with a stark new clarity of voice. Here, Holland-Batt is at her most exacting and uncompromising: these ferociously intelligent, insistent poems refuse to look away, and challenge us to view ruthless witness as a form of love. The Jaguar is an indelible collection by a poet at the height of her powers.

"Fishing for Lightning gathers together acclaimed poet and critic Sarah Holland-Batt's celebrated columns on contemporary Australian poetry. In fifty illuminating and lively short essays on fifty poets, Holland-Batt offers a masterclass in how to read and love poetry, opening up the music of language, form, and poetic technique in her casual and conversational yet deeply intelligent style"--Publisher's description.

'I hope you see in these poems what I see: order and rebellion, ardour and irony, beauty and abjection and everything in between.' -Sarah Holland-BattFor The Best Australian Poems 2017, award-winning poet and critic Sarah Holland-Batt has assembled a brilliant set of voices, styles and moods. Subjects include everything from a plague of bogong moths invading Parliament House to the after-effects of the nuclear tests at Maralinga. In their wit and empathy, their solace and provocation, these poems will stay with the reader long after the moment of reading.Contributors include Robert Adamson, Jordie Albiston, Cassandra Atherton, Luke Beesley, Judith Beveridge, Judith Bishop, Kim Cheng Boey, Ken Bolton, Peter Boyle, Margaret Bradstock, Lisa Brockwell, David Brooks, Pam Brown, Joanne Burns, Michelle Cahill, Lee Cataldi, Julie Chevalier, Eileen Chong, Jennifer Compton, Stuart Cooke, Shevaun Cooley, Judith Crispin, Sarah Day, Shastra Deo, B.R. Dionysius, Lucy Dougan, Laurie Duggan, Adrienne Eberhard, Ali Cobby Eckermann, Stephen Edgar, Anne Elvey, Russell Erwin, Diane Fahey, Michael Farrell, Susan Fealy, Liam Ferney, Luke Fischer, Toby Fitch, John Foulcher, William Fox, Angela Gardner, Lisa Gorton, Phillip Hall, Natalie Harkin, Jennifer Harrison, Dimitra Harvey, John Hawke, Dominique Hecq, Paul Hetherington, Barry Hill, Andy Jackson, Clive James, Carol Jenkins, A. Frances Johnson, Jill Jones, Rae Desmond Jones, Amanda Joy, Carmen Leigh Keates, Antigone Kefala, John Kinsella, Louis Klee, Mike Ladd, Anthony Lawrence, Bronwyn Lea, Jeanine Leane, Emma Lew, Cassie Lewis, Bella Li, Jennifer Maiden, Caitlin Maling, David McCooey, Peter Minter, Marjon Mossammaparast, Philip Neilsen, Geoff Page, Claire Potter, Ron Pretty, Brendan Ryan, Gig Ryan, Tracy Ryan, Philip Salom, Jaya Savige, Michael Sharkey, Melinda Smith, Vivian Smith, Maria Takolander, Heather Taylor Johnson, Andrew Taylor, Tim Thorne, Mark Tredinnick, Todd Turner, John Upton, Chris Wallace-Crabbe, John Watson, Alan Wearne, Petra White, Jessica Wilkinson, Chloe Wilson, Fiona Wright and Fay Zwicky.

Violencia, pérdida y extinción, desde los paisajes postcoloniales de Australia, hasta los bosque nubosos de Nicaragua, Los peligros, ganador entre otros del 2016 Prime Minister's Literary Award for Poetry, refleja un mundo depredador, plagado de amenazas reales e imaginarias a las que el lector se enfrenta a través de un lirismo rápido, oscuro y lingüísticamente exquisito.Cargados de la imaginación mercurial de Sarah Holland-Batt, los poemas viajan por toda la geografía explorando las relaciones familiares, adentrándose en paisajes urbanos y estudiando los instintos animales para tratar de analizar la naturaleza del amor, un sentimiento al que siempre parece acompañarle la soledad.

'Above all, poetry - for both its readers and its writers - is a form that demands attentiveness and active intelligence. It treats language as a volatile and charged commodity, and one whose subtleties and nuances are worth puzzling over.' -Sarah Holland-Batt

Spanning poems written in the United States, Central America, Europe, and Australia, The Hazards is a dazzling and inventive collection. Opening with a vision of a leveret's agonizing death by myxomatosis and closing with a lover disappearing into dangerous waters, Holland-Batt reflects a predatory world rife with hazards, both real and imagined. Her cosmopolitan poems careen through diverse geographical territory--from haunted postcolonial landscapes in Australia to brutal animal hierarchies in the cloud forests of Nicaragua, the still Danish interiors of Hammershøi and the serial killer stalking Long Island Sound--and engage everywhere with questions of violence and loss, erasure, and extinction. Charged with Holland-Batt's mercurial imagination and swift lyricism, this unsettling and darkly intelligent collection inhabits an uncertain world with a questioning eye and clear mind, unafraid to veer "straight into turbulence."