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The 'baby boom' generation, born between the 1940s and the 1960s, is often credited with pioneering new and creative ways of relating, doing intimacy and making families. With this cohort of men and women in Britain now entering mid and later life, they are also said to be revolutionising the experience of ageing. Are the romantic practices of this 'revolutionary cohort' breaking with tradition and allowing new ways of understanding and doing ageing and relating to emerge? Based on an innovative combination of ethnographic fieldwork in salsa classes and life history interviews, this book documents the meanings of desire and romance, and 'new' - or renewed - intimacies, among women in mid and later life. Beginning with women at a transition point, when they were newly single or newly dating in midlife, the chapters look back over life histories at prior relationship experiences at different life stages, engage with the fine-grain of navigating the terrain of dating and repartnering in midlife, and look forward to hopes for future intimacies. Fieldwork in salsa classes demonstrates the sensory, sensual and affective nature of heteronormativity whilst biographical interviews show how femininity is informed by memories of the past, of the generations that came before and class-based desires. Making important contributions to our understanding of ageing, intimacy and gender this book illuminates the intersections of age, class and whiteness in romance and desire. We see how rather than being revolutionary, a pervasive concern with being respectable throughout the lifecourse endured.
Take Control of Your Money is filled with a collection of the BEST articles from the award winning Blog, RetireHappy.ca which was voted as the BEST Personal Finance Blog in Canada by the Globe and Mail. If you are looking to build, manage and protect your wealth, this book is a must read as it is filled with common sense approaches to money management.
You definitely want to f*ck her but you don't want to know her. You certainly don't want to stay for breakfast.Sarah Milton's new one-woman play tells the story of one woman's immediate response to a sexual assault, fueled by a toxic friendship and crisis of identity.Two best friends are heading out for the night. Our protagonist, known as 'She', is hoping to win over her crush - Isaac the bartender, at their favourite joint. That night, her best friend Trixie decides to invitea group of men home that she fancies, promoting She as her sexy, obtainable friend, to help seal the deal. But when She wakes up the next day, confused, sore, lying next to a man she doesn't recognise, she is forced to re-evaluate everything she thinks she knows about her friendships, identity and sexuality.This edition was published to coincide with the premiere at Park Theatre's Come What May Festival 2022.Do you remember the club, Amanda? Do you remember the club?In addition to 4, this play text also includesMilton's short spoken word piece The Night Tella which explores guilt, friendship and a night that should have ended in the chip shop.In these two complementary new pieces, Sarah Milton offers powerful, female led narratives with strong, complex characters.
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