Bøger af Sarah Waters

'Affinity is the work of an intense and atmospheric imagination . . . Sarah Waters is such an interesting writer, a kind of feminist Dickens' Fiona Pitt-Kethley, Daily TelegraphSet in and around the women's prison at Milbank in the 1870s, Affinity is an eerie and utterly compelling ghost story, a complex and intriguing literary mystery and a poignant love story with an unexpected twist in the tale. Following the death of her father, Margaret Prior has decided to pursue some 'good work' with the lady criminals of one of London's most notorious gaols. Surrounded by prisoners, murderers and common thieves, Margaret feels herself drawn to one of the prisons more unlikely inmates - the imprisoned spiritualist - Selina Dawes. Sympathetic to the plight of this innocent-seeming girl, Margaret sees herself dispensing guidance and perhaps friendship on her visits, little expecting to find herself dabbling in a twilight world of seances, shadows, unruly spirits and unseemly passions.

* The brilliant and chilling new novel from Sarah Waters - shortlisted for the Man Booker Prize 2009* 'Sarah Waters has worked a spell' GUARDIAN

Shortlisted for the Orange Prize and the Booker Prize'Brilliantly done... the period detail never overwhelms the simple, passionate human story. It's a tour-de-force of hints, clues and dropped threads' Suzi Feay, Independent on SundayMoving back through the 1940s, through air raids, blacked out streets, illicit liaisons, sexual adventure, to end with its beginning in 1941, The Night Watch is the work of a truly brilliant and compelling storyteller.This is the story of four Londoners - three women and a young man with a past, drawn with absolute truth and intimacy. Kay, who drove an ambulance during the war and lived life at full throttle, now dresses in mannish clothes and wanders the streets with a restless hunger, searching . . . Helen, clever, sweet, much-loved, harbours a painful secret . . . Viv, glamour girl, is stubbornly, even foolishly loyal, to her soldier lover . . . Duncan, an apparent innocent, has had his own demons to fight during the war. Their lives, and their secrets connect in sometimes startling ways. War leads to strange alliances . . . Tender, tragic and beautifully poignant, set against the backdrop of feats of heroism both epic and ordinary, here is a novel of relationships that offers up subtle surprises and twists. The Night Watch is thrilling. A towering achievement.

The book that inspired Park Chan-wook's astonishing film The Handmaiden.Shortlisted for the Orange Prize and the Booker PrizeLondon 1862. Sue Trinder, orphaned at birth, grows up among petty thieves - fingersmiths - under the rough but loving care of Mrs Sucksby and her 'family'. But from the moment she draws breath, Sue's fate is linked to that of another orphan growing up in a gloomy mansion not too many miles away.

This book examines the suicide crisis in the French workplace and asks why work or conditions of work increasingly push some employees to take their own lives. To address this question, the book analyses a corpus of testimonial material linked to 66 suicide cases across three large French companies during the period from 2005 to 2015. The book investigates what these suicide voices tell us about the present economic order and its impact on human labour within the contemporary juncture of finance-driven neoliberalism.

Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen. A saucy, sensuous and multi-layered historical romance, Tipping the Velvet follows the glittering career of Nan King - oyster girl turned music-hall star turned rent boy turned East End 'tom'. It launched the career of one of Britain's most exciting and successful writers. `One of the best storytellers alive today' - Independent. Sarah Waters has written five subsequent bestselling novels, all of which have been filmed or are currently in production and she has received critical and popular acclaim and prize shortlists. She was awarded the Stonewall Writer of the Decade in 2016.Tipping the Velvet was adapted by Andrew Davies and filmed by Sally Head Productions for the BBC

The "volcanically sexy" (USA Today) bestseller about a widow and her daughter who take a young couple into their home in 1920s London. It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa-a large, silent house now bereft of brothers, husband, and even servants-life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers. With the arrival of Lilian and Leonard Barber, a modern young couple of the "clerk class," the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances's life-or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be. Short-listed for the Man Booker Prize three times, Sarah Waters has earned a reputation as one of our greatest writers of historical fiction.

Soon to be a major motion picture--releasing August 31 in the US--the nationally bestselling and chillingly rendered ghost story--"several sleepless nights are guaranteed" (Stephen King, Entertainment Weekly).One postwar summer, in his home in rural Warwickshire, Dr. Faraday is called to a patient at Hundreds Hall. Home to the Ayres family for more than two centuries, the Georgian house, once impressive and handsome, is now in decline. Its owners--mother, son, and daughter--are struggling to keep pace with a changing society. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become entwined with his.

"What a wonderful collection! Each story is like a little treasure just waiting to be unwrapped, bringing its own unique and engaging perspective to the Austen mythos. A real treat for Jane Austen fans."--Syrie James, bestselling author of The Lost Memoirs of Jane Austen and Dracula, My Love Dancing with Mr. Darcy is a sterling collection of short stories inspired by beloved novelist Jane Austen and Chawton House, her longtime home. Edited by Sarah Waters, a bestselling author shortlisted for Great Britain's Booker Prize, this exceptional anthology features the winning entries in the Jane Austen Short Story Award 2009, a literary competition which celebrates the bicentenary of Jane Austen's arrival in the village of Chawton, where she spent the most productive years of her writing life. Any reader who's been captivated by Sense and Sensibility, Pride and Prejudice, or the other unforgettable excursions into Austen's literary world will find Dancing with Mr. Darcy an unparalleled delight.

Foreldreløse Sue Trinder vokser opp blant svindlere og lommetyver i London på midten av 1800-tallet. Like etter sin 17-årsdag blir hun oppsøkt av en mann som kaller seg Gentleman. Han vil at hun skal hjelpe ham med å svindle til seg arven til Maud Lilly, en jente på alder med Sue. Det hefter en uvanlig betingelse ved denne arven: Maud får ikke se snurten av den hvis hun ikke gifter seg. Gentlemans plan går ut på at han skal gifte seg med Maud og på den måten slå kloa i arven. Dette skal Sue hjelpe han med, mot tre tusen pund i betaling. Sue utgir seg for å være kammerpike og begynner å jobbe på herregården der Maud bor sammen med sin tyranniske onkel. Men så oppstår det lideskapelige følelser mellom de to unge jentene.

I thought everything would change, after the war. And now, no one even mentions it. It is as if we all got together in private and said whatever you do don''t mention that, like it never happened.It''s the late 1940s. Calm has returned to London and five people are recovering from the chaos of war.In scenes set in a quiet dating agency, a bombed-out church and a prison cell, the stories of these five lives begin to intertwine and we uncover the desire and regret that has bound them together.Sarah Waters''s story of illicit love and everyday heroism takes us from a dazed and shattered post-war Britain back into the heart of the Blitz, towards the secrets that are hidden there.Olivier-nominated playwright Hattie Naylor has created a thrilling and theatrically inventive adaptation of a great modern novel.The stage adaptation of The Night Watch was premiered at the Royal Exchange Theatre, Manchester, on 16 May 2016.

It's 1887 and Nancy Astley sits in the audience at her local music hall: she doesn't know it yet, but the next act on the bill will change her life. Tonight is the night she'll fall in love... with the thrill of the stage and with Kitty Butler, a girl who wears trousers.

SHORTLISTED FOR THE WOMEN'S PRIZEThis novel from the internationally bestselling author of The Little Stranger, is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' (Guardian)It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.For with the arrival of Lilian and Leonard Barber, a modern young couple of the 'clerk class', the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be.This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all a wonderful, compelling story.'You will be hooked within a page . . . At her greatest, Waters transcends genre: the delusions in Affinity (1999), the vulnerability in Fingersmith (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But The Paying Guests is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep' -Charlotte Mendelson, Financial Times