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This book explores the construction of personal and poetic identity in the writing of Alexander Pope, Thomas Gray, James Beattie, William Cowper, Samuel Taylor Coleridge, and William Wordsworth.
Hess explores Wordsworth's defining role in establishing what he designates as `the ecology of authorship': a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic.
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