Bøger af Sean McCann

A fatal legal misunderstanding leads to human embryos being destroyed. The headlines scream: 'Rhadamanthus - The Judge of the Dead'. Devastated donor Afro Eccleston smells a rat and resolves to bring down the judge. The security services are onto her but 'Lucky' Jim Ridgewell has an Achilles heel: escort girl Honeydew, linked to East London organised crime. Online auction fraudster Magnus Gilzean has been grassed up, but there is a curious observer in court. If Afro can circle the connections she will set off a carousel of revenge only one can win...

A collection of quotations from Irish thinkers, including Behan, Yeats, Swift, Moore and O'Casey, on everything from religion to the hard stuff.

There is no more powerful symbol in American political life than the presidency, and the image of presidential power has had no less profound an impact on American fiction. A Pinnacle of Feeling is the first book to examine twentieth-century literature's deep fascination with the modern presidency and with the ideas about the relationship between state power and democracy that underwrote the rise of presidential authority. Sean McCann challenges prevailing critical interpretations through revelatory new readings of major writers, including Richard Wright, Gertrude Stein, Henry Roth, Zora Neale Hurston, Saul Bellow, Ralph Ellison, Norman Mailer, Don Delillo, and Philip Roth. He argues that these writers not only represented or satirized presidents, but echoed political thinkers who cast the chief executive as the agent of the sovereign will of the American people. They viewed the president as ideally a national redeemer, and they took that ideal as a model and rival for their own work. A Pinnacle of Feeling illuminates the fundamental concern with democratic sovereignty that informs the most innovative literary works of the twentieth century, and shows how these works helped redefine and elevate the role of executive power in American culture.

Offers an account of the crime story and its literary and political significance. Illuminating a previously unnoticed set of concerns at the heart of the fiction, the author contends that mid-twentieth-century American crime writers used the genre to confront and wrestle with many of the paradoxes and disappointments of New Deal liberalism.