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The Fenris Wolf is a research journal focused on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This issue contains material presented at the Psychoanalysis, Art & the Occult conference "Re-writing the Future: 100 Years of Esoteric Modernism and Psychoanalysis" (Merano, 2019). Presenters were Kadmus, Charlotte Rodgers, Kasper Opstrup, Elisabeth Punzi & Per Magnus Johansson, Hans-Peter Söder, Haukur Jonasson, Carlos Abler, Stephanie Moran & Anna Sebastian, Katy Bohinc, Tom Banger & Koshka, Simon Magus, Ugo Dossi, Siegfried de Rachewiltz, Katrina Makkouk, Vanessa Sinclair, Blanche Barton, and Carl Abrahamsson, presenting topics as diverse as Greek Paganism, spiritual evolution, Cosmism's inherent longing to go into space, Hilda Doolittle, the power of myth, Christianity's influence in medieval Pagan Iceland, hypno-mimesis and working with body, the esoteric methods of Ithell Colquhoun, poetry as magic, the aesthetics and methods of Austin Osman Spare, automatic drawing, Joseph Ennemoser, Ezra Pound's occultism, the crusade against magical thinking, the roots of modern Satanism, and the relationship between Ezra Pound and his publisher James Laughlin.
In Rider Haggard and the Imperial Occult, Simon Magus explores the occult world of H. Rider Haggard through an analysis of his literary engagement with ancient Egypt, Romanticism and Theosophy.
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