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"Laura, a brilliant student and promising scholar, escapes from her small town, working class background to join the ranks of the academic elite on a Weatherfield scholarship to Oxford University. She enthusiastically throws herself into her schoolwork, yet she is never able to escape a feeling of unease and dislocation among the anointed "best and brightest" of her generation. Years later, back in the U.S. with a Ph.D. in Henry James studies, she loses her job as an adjunct professor and reconnects with the Weatherfield Foundation. Commissioned to write a history for their gala reunion, she becomes obsessed by the Gilded Age origins of the Weatherfield fortune, rooted in the exploitation and misery of sugar production. As she is lured back into abandoned friendships within the glimmering group, she discovers hidden aspects of herself and others that point the way to a terrifying freedom. BENEFIT is a gripping coming-of-age story that offers a withering critique of American meritocracy"--
Wallace Stevens once described the "e;malady of the quotidian,"e; lamenting the dull weight of everyday regimen. Yet he would later hail "e;that which is always beginning, over and over"e; recognizing, if not celebrating, the possibility of fresh invention. Focusing on the poems of Wallace Stevens, Robert Frost, Elizabeth Bishop, and James Merrill, Siobhan Phillips positions everyday time as a vital category in modernist aesthetics, American literature, and poetic theory. She eloquently reveals how, through particular but related means, each of these poets converts the necessity of quotidian experience into an aesthetic and experiential opportunity. In Stevens, Phillips analyzes the implications of cyclic dualism. In Frost, she explains the theoretical depth of a habitual "e;middle way."e; In Bishop's work, she identifies the attempt to turn recurrent mornings into a "e;ceremony"e; rather than a sentence, and in Merrill, she shows how cosmic theories rely on daily habits. Phillips ultimately demonstrates that a poetics of everyday time contributes not only to a richer understanding of these four writers but also to descriptions of their era, estimations of their genre, and ongoing reconfigurations of the issues that literature reflects and illuminates.
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