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Studying the case of Latin American cinema, this book analyzes one of the most public - and most exportable- forms of postcolonial national culture to argue that millennial era globalization demands entirely new frameworks for thinking about the relationship between politics, culture, and economic policies.
Studying the case of Latin American cinema, this book analyzes one of the most public - and most exportable- forms of postcolonial national culture to argue that millennial era globalization demands entirely new frameworks for thinking about the relationship between politics, culture, and economic policies.
Criticism of exile literature has tended to analyse these works according to a binary logic where exile either produces creative freedom or traps the writer in restrictive nostalgia. This title offers a theory of exile writing that accounts for the persistance of these dual impulses.
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