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One man's search for purpose and connection in a world where social insecurity is the rule, middle-class aspirations are out of reach, and genuine intimacy seems an all but forgotten dream.
Axel lives in a fantasy world of his own making. When he runs away, Fox must enter that world to try and find his friend.
Fox is the teenage son of a single mom who has grown up poor and transient until he arrives in Orange, California, with his first chance at a sense of belonging. He soon meets Axel, an eccentric loner with a hyperactive imagination who introduces him to the fenced off no-man's land of a riverbed that winds through the suburban neighborhood where they live. There fantasy and reality collide in the stories they invent, the games they play, and the powers they resist. When Axel gets into trouble with the authoritarian pastor of his church, he runs away both for real and into his own fantasies. Fox goes looking for him in more ways than one, accompanied by his friend Angel, a Latin-X girl with a critical mind and a lot of experience in adult hypocrisy. What they all end up finding is the courage to be themselves and to care for one another in a world that doesn't much value either. The Riverbed tells the story of three intelligent young people coming to learn about the darker sides of the suburban dream they call home. Written in a fabulating style but with a realist's eye for the details of place, history, and nature, it combines the playfulness (if not the largeness) of a Salman Rushdie novel with the moral seriousness of J. D. Salinger. It will be loved by readers of all predilections - those with their heads in the clouds no less than those with their feet on the ground.
Seventeen-year- old Woody and his friends are looking at dead ends in Mendocino, a small town on the Northern California coast. So is Ray Ellis, their basketball coach, an ex-All American with a dark past. Everything changes when sophisticated city kid Chase MacMillan shows up, inspiring in them all the confidence and self-respect they need to face the future. But as Chase introduces a new competitive spirit both on and off the court, those dead ends close in on his friends, and Ray's dark past starts catching up with him, Woody discovers, tragically, at what cost success can come.
For Thomas Pynchon, the characteristic features of capitalism point to a transformation in the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, this book analyzes this transformation in relation not only to Pynchon's work but also to its literary, and cultural context.
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