Bøger af Stefano Carboni

Accompanying a major traveling exhibition, this book examines the unique artistic and cultural exchange between the Republic of Venice and Turkish Ottoman culture and identity over a three-hundred-year period. From the early Renaissance to the end of the eighteenth century, Venice held a central position in the global trade network. This book explores how artistic and cultural ideas originating in the Ottoman Empire arrived in Venice and were reinterpreted through the decorative arts, printed books, painting, drawing, and architecture. Featuring a richly diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known Venetian artists such as Vittore Carpaccio, Gentile Bellini, Michele Giambono, and Mariano Fortuny alongside works created by the best anonymous craftspeople both in Venice and the Ottoman Empire, including textiles, metalwork, armor, and ceramics. With newly researched essays by esteemed international scholars on topics such as trade routes, the involvement of international communities in Venice, diplomatic interactions, and military power dynamics, this important volume offers freshly reviewed and new perspectives on the intricate artistic relationship that existed between Venice and the Ottoman Empire.

A beautifully illustrated study of the so-called London QazviniThe London Qazvini is an early fourteenth-century illustrated Arabic copy of al-Qazvini's The Wonders of Creation and the Oddities of Existing Things. One of a handful of extant illustrated codices produced under the Mongols of Iran, this unique manuscript gathers earlier Mesopotamian painting traditions, North Jaziran-Seljuq elements, Anatolian inspiration, the latest changes brought about after the advent of Mongols and a large number of illustrations of extraordinary subjects which escape proper classification.In this lavishly illustrated volume Stefano Carboni offers a stylistic analysis and discussion of the manuscript's miniatures, a presentation and description of the 368 extant paintings that illustrate the codex and a partial critical translation of the related Arabic text. This is the first time that sections throughout the whole text are available in English.Stefano Carboni is the Director and CEO of the Art Gallery of Western Australia and Adjunct Professor at the University of Western Australia. He is author and editor of several books including Glass from Islamic Lands. The Al-Sabah Collection (2001) and Venice and the Islamic World 828¿1797 (2007).Cover image: The Planet Mercury, Fol. 8r; 87x165 mm, British LibraryCover design:[EUP logo]www.euppublishing.com

This survey of Islamic glass is based on the al-Sabah collection in Kuwait. The work provides close attention to 250 of the glass objects while the remainder are described without discussion. Objects are included from the late 6th century to the 19th century.