Bøger af Stephanie Trigg

This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best ¿face up¿ to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom ¿facing up,¿ its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices ¿ as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions.

With steady erudition and not infrequent irreverence, Stephanie Trigg ranges from medieval romance to Victorian caricature, from imperial politics to medievalism in contemporary culture, to write a strikingly original cultural history of the Order of the Garter.

Chaucer has been a persistently popular subject for editors, scholars and readers. This detailed and often challenging study, parts of which have been published before or presented as lectures, examines the changing nature of Chaucerian studies and the significance of Chaucer's works as a bridge between the medieval and modern worlds. The congenial souls' are Chaucer's readers, a Chaucerian community' from which no one is excluded.