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This book locates the frequent expressions of shame in sub-Saharan African literature and shows how its diverse literary representations underscore shame's function as a fulcrum in the mutual constitution of subject and community on the continent employing both African and Western conceptions of the emotion.
Shame is one of the most frequent underlying emotions expressed throughout sub-Saharan African literature, yet studies of such literature almost universally ignore the topic in favour of a focus on the struggle for independence and the postcolonial situation, encompassing a search for individual, national, and ethnic identities and questions of corruption, changing gender roles, and conflicts between so-called tradition and modernity. Shame, however, is not antithetical to these investigations and, in fact, the persistent trope of shame undergirds many of them. This book locates these expressions of shame in sub-Saharan African literature and shows how its diverse literary representations underscore shame's function as a fulcrum in the mutual constitution of subject and community on the continent. Though shame research is dominated by Western definitions and theories, this study emphasizes the centrality of African conceptions of shame in ways that notions of Western subjectivitydismiss or cannot capture.
The book investigates opposition to the Cameroonian social and legal order through prose and theatre that employs legal themes, settings, and language as well as actual legal decisions. The conclusion is that opposition though ironic appropriation of legal discourse is more promising in fostering social justice than direct resistance to the legal hierarchy.
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