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A wealthy man who came from a small village in Darfur, a part of Sudan, Africa, enlists a mercenary group of ex-military to defend his village from the oncoming of the Janjaweed. The Janjaweed are known as "devils on horseback." They attack and kill villagers who grow crops and are of the Christian faith. The Janjaweed are on their way and no-one is willing to stop them. A team of mercenaries only has a few weeks to stop them and nothing will stand in their way.The mercenaries are the last wall against the Janjaweed attacking the village.
Bureau of Land Management Enforcement Ranger Bailey Calhoun becomes embroiled in a mystery that even he does not believe is possible. Tracking a murder case on BLM lands, he finds an improbable link to a race of people thought to be just legends when he discovers the mummified head of what seems to be a pygmy Indian. Bailey is after thieves who are looting a tomb of the Nimerigar, known in Indian legends of the Arapaho, Sioux, Cheyenne and Crow as "the tiny people eaters." He has to locate the tomb before the thieves can sell all the artifacts on the black market. Time is running out when twists and turns on the trail lead to unexpected loves and betrayals, and perhaps, even the death of Bailey.
In the summer of 1917, Ernest Hemingway was an 18-year-old high school graduate unsure of his future. The American entry in the Great War stirred thoughts of joining the army. While many of his friends in Oak Park, Illinois, were heading to college, Hemingway couldn't make up his mind, and eventually chose to begin a career in writing and journalism at one of the great newspapers of its day, the Kansas City Star. In six and a half months, Hemingway experienced a compressed, streetwise alternative to a college education, which opened his eyes to urban violence, the power of literature, the hard work of writing, and a constantly swirling stage of human comedy and drama. The Kansas City experience led Hemingway into the Red Cross ambulance service in Italy, where, two weeks before his 19th birthday, he was dangerously wounded at the front. Award-winning writer Steve Paul takes a measure of these experiences that transformed Hemingway from a "e;modest, rather shy and diffident boy"e; to a young man who was increasingly occupied by recording the truth as he saw it of crime, graft, exotic temptations, violence, and war. Hemingway at Eighteen sheds new light on this young man bound for greatness and a writer at the very beginning of his journey.
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