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Steven Berkoff has been variously described as controversial, thrilling, electric and dynamic. A Renaissance man of the theatre, he is known equally for his writing, directing and acting. Collecting together nineteen one-act plays, this volume presents never-before-published material. Abusive, shocking and endlessly surprising, these sharply written pieces showcase Berkoff's trademark controversy, black humour and dramatic dialectics.Themes that haunt much of his work are present: his luxurious verbosity; his counterpoint of crude street-patter and elegiac proclamation; sex wars; class wars; dislocation and abandonment of love in a thankless and unyielding world. The selection of plays allows the performer and reader to experience Berkoff's fluid anarchic poetry at its most profane within the complete and pithy structure of the one-act play. Established plays such as The Biblical Tales (which enjoyed success in their 2010 run at the New End Theatre, Hampstead) stand alongside previously unpublished material, giving the range of Berkoff's work full expression, from his established thematic concerns to his new and unseen work.Perfect for student and amateur performances, this volume contains a full introduction by Geoffrey Colman, Head of Acting at the Central School of Speech and Drama.
This is a powerful, divisive and brutally honest novel that will inspire, enrage and provoke - and live on long after the final word.
Nine years ago Steven Berkoff directed a production of "Hamlet" in which he took the title role, and here are his scene-by-scene observations, which cover the whole range of human experience - from love and death, to life in Britain now.
Written with characteristic Berkoff flair and an understanding of the subtle power and violence of the English language, this second collection of his plays includes Decadence, described by the Guardian as being 'enthused with Berkoff's violent, imagist, vivid wordplay'. The collection also includes Kvetch, Acapulco, Harry's Christmas, Brighton Beach Scumbags, Dahling You Were Marvellous, Dog and Actor, and is introduced by the author.
A collection of autobiographical short stories that chart the author's journey from youthful enthusiasm and success to raging despair, anger and final self-destruction.
Focusing on rehearsals for the 1992 Mitsubishi Theater, Tokyo, production of his adaptation of Kafka's Metamorphosis, the author muses on the nine previous productions of the play over a twenty-three-year-span, starting with his own performance as Gregor Samsa in 1969 at the Round House, London, and more.
The actor, director and playwright, Steven Berkoff, recounts his childhood in London's East End, the trips "up west" during his teenage years, a formative year with family in the USA, his early career in showbiz, and how he drew on his experiences to write his plays.
This is a collection of three history plays, each displaying the sparkling muscularity of language that marks Berkoff out as one of the foremost wordsmiths in the English language. Set in thirteenth-century England, Ritual in Blood looks at the persecution of the Jews. Messiah begins with the image of Christ on the cross and pits His humanity and transcendent goodness against the evil of those who would kill Him. Finally, Berkoff offers a sharp and accessible adaptation of Sophocles's Oedipus tragedy.
Steven Berkoff is a phenomenon. Among the artists working in the theatre today he is probably the most theatrical - his special combination of speech, movement and spectacle is uniquely powerful. This first collection of his plays includes East, described by Berkoff as 'an outburst or revolt against the sloth of my youth and a desire to turn a welter of undirected passion and frustration into a positive form'. Also included in this collection are the plays West and Sink the Belgrano!
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