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Now divorced and over the people who deliberately wounded me, I set myself on a journey to forgive and remove toxicity from my heart. After a few years, I thought I was successful in achieving that goal. However, over the past few months, I realized I had inner wounds that needed healing.I had to reinvest in my mental health and dive into therapy again. Just like when someone needs to see the doctor for a physical illness, I had to seek a therapist in order to achieve peace.Join me as I unearth the intricate compartments of buried fears, anxiety and depression through therapy, which allowed me to forgive myself through grace!
Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics.Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.
Nature and Cyberspace examines how nature metaphors are used to refer to online experiences. It investigates the sources and history of usage, asking how early developers decided on words like 'home', 'navigate' and 'log on'. It goes on to explore how these terms are used in personal and corporate spheres in the web 2.0 environment.
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