Bøger af Susanna Moore

A memoir from the author of IN THE CUT 'A captivating portrait of a woman in search of herself' Kirkus 'Moore's search for stability during a free-spirited decade is a whirlwind of celebrity encounters and a lyrical exploration of the lingering effects of a mother's death' Publishers Weekly

"Minnesota, 1862: As a woman fleeing from a dark and secret past, Sarah Wakefield leaves Rhode Island quietly and quickly under cover of night for the long journey to Minnesota where she has been advised there is good work to be had. She soon finds a husband who becomes a resident physician for a Sioux town there but the political backdrop of that moment is volatile: white settlers are breaking treaties, Native American land is shrinking, and mass starvation and disease looms over the Sioux community. As the earliest settlers in this area, Sarah anticipates unease and tension, but instead she finds acceptance and kinship. Through the caring Sioux women, Sarah learns to cook, make clothes, speak the Sioux language, and ultimately finds companionship with the women which far exceeds that with her strange and distant husband. But the Sioux aren't receiving what they were promised from the White settlers, and a succession of devastating treaty breaks result in widespread famine, territory loss and conflict. What follows is one of the most influential Native uprisings of all time, the U.S.-Dakota War of 1862. As the war erupts around her, Sarah is separated from her husband, and rescued by the Sioux who are seeking safety from the fighting, and ultimately a home that was stolen from them. She will heroically but unsuccessfully try to protect them during the Dakota Trial that ensues. Intimate, raw, compelling and brilliantly subversive, Susanna Moore explores a complicated history of female captivity and Native American suffering"--

Frannie Thorstin is a divorced English professor, living in a two room New York apartment. She spends much of her time alone, working on a book about dialects and idiomatic language. One evening at a bar, Frannie stumbles upon a man and a woman engaged in a sexual act. A week later a detective shows up at her door. The woman's body has been discovered in the park across the street. What follows is a chilling tale of lust and murder as Frannie finds herself drawn to the detective. In the Cut is a masterpiece of literary suspense and sexual exploration.

After several wretched months at sea, Eleanor Oliphant arrives in Calcutta with her brother Henry and sister Harriet. It is 1836, and her beloved Henry has just been appointed England's new Governor-General for India. Eleanor is to be his official hostess. Despite the imported English gowns and formal soirées, India makes a mockery of Eleanor's sensibilities. Burning heat, starving people, insects as big as eggs-it is all an unreal dream, rife with tumultuous life. Harriet gives herself over to the adventure. Henry busies himself with official duties. Eleanor, though groping for bearings, slowly finds her isolation punctuated by moments of elation: her first monsoon, graceful women in vibrant sarees, Benares rising out of the mist. She discovers she likes curries and her native servants; and often dislikes her compatriots. Over the course of six years and a trek from Calcutta to Kabul and back, India manages to unsettle all of her "old, old ideas."

'Electrifying. Essential reading' Olivia Laing 'Compelling, shocking, hot, scary' Kristen Roupenian'Horrific, the sexiest book ever, devastatingly true' Daisy Johnson'Extraordinary' Lucie Whitehouse'When I finished I was ready to pass out' Olivia Sudjic'One of my favourite books' Megan Hunter

In Paradise of the Pacific, Susanna Moore, pieces together the dramatic story of Hawai'i - a not-so-distant time of abrupt transition, in which an isolated pagan world of human sacrifice and strict taboo, without a currency or a written language, was confronted with the ritualised world of capitalism, Western education, and Christian values.