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The Cabin in the Woods (2012), directed by Drew Goddard and co-authored by Goddard and Joss Whedon of Buffy-fame, was famously described by co-author Whedon as his 'loving hate letter' to horror. Interviews with Whedon reveal that his struggles with modern cinematic horror are not merely emotional, but intensely philosophical. This book is the first to read Cabin as a philosophical metatext that asks what horror offers audiences and why audiences accept. Like any good philosophy, the film offers no answers but raises questions: what 'choices' are possible in a pre-determined universe? How do we, the audience, see the victims of violence, and with what ethical consequences? And finally, the most fraught question of all: why do we keep looking?
A comprehensive reconsideration of the myth of Goethe's Weimar, occasioned by the 1999 celebrations of Goethe's 250th birthday.
This volume examines Terry Gilliam's 12 Monkeys (1995) with an eye to the film's major themes, including mental illness, conspiracy theories, the impossibility of human closeness, and the nature of reality. It reads 12 Monkeys's portrayal of time travel in light of Einstein's ideas about time and the problem of free will versus determinism.
Traces changing concepts of masculinity in contemporary Hollywood films against a backdrop of political events, social developments, and popular American myths.
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