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Even before the upheaval of the Revolution, France sought a new formal language for a regenerated nation. Nowhere is this clearer than in its tombs. This book focuses on the interplay of the funerary arts, tomb cult, and the mentalities that shaped them in France, over a period famous for profound and often violent change.
As an artist, Edgar Degas (1834-1917) defies easy description. Including essays on Degas' life and work, his sculptural technique and materials, and the story of the sculptures after his death, this title features art-historical and technical discussions of various works in the collection of National Gallery of Art, Washington.
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