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Rachel Zolf activates the last three lines of a poem by Jewish Nazi Holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing.
An unflinchingly subversive, aversive, conversive poetic look at the underbelly of Canadian settler-colonial experience.
A virtuoso polyvocal correspondence with the daily news, ancient scripture and contemporary theory that puts the ongoing conflict in Israel/Palestine firmly in the crosshairs, Neighbour Procedure sees Zolf assemble an arsenal of poetic procedures and words borrowed from a cast of unlikely neighbours, including Mark Twain, Dadaist Marcel Janco, blogger-poet Ron Silliman and two women at the gym.
Write for buyers. Write for bosses. Think hyper. Think branding. Tell your visitor where to go. Poetry and plain language collide in the writing machine that is Human Resources. Here at the intersection of creation and repackaging, we experience the visceral and psychic cost of selling things with depleted words. Pilfered rhetorics fed into the machine are spit out as bungled associations among money, shit, culture, work and communication. With the help of online engines that numericize language, Human Resources explores writing as a process of encryption.Deeply inflected by the polyvocality and encoded rhetorics of the screen, Human Resources is perched at the limits of language, irreverently making and breaking meaning. Navigating the crumbling boundaries among page, screen, reader, engine, writer and database, Human Resources investigates wasting words and words as waste and the creative potential of salvage.
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