Bøger af Tariq Mehmood

The struggle against direct colonialism by millions of people across Africa and Asia was fought with a view to the creation of a new world, one that would be free from the horrors of colonialism. Nowhere was a struggle waged on anything but hope and absolute faith in the eventual defeat of the colonial masters, some of who, like the British and French, connived and massacred in the vain hope of holding on to their possessions. The anti-colonial struggles not only laid bare the utter brutality of the coloniser, especially in their dying days, it also showed that the colonised had no choice but to unite within their respective countries but also across the continents against their common enemies. This desire would force them to come together in Bandung in 1955. The dreamers of this new destiny were clear, then, that not only was it necessary to take back control of the human and material resources from colonial powers but also to reclaim the past and culture as well and get back not only the land that had been stolen but the voice as well. Those fighting with guns, with people or with songs were also in search of a bridge that they could cross so as to find each other. Following Bandung, this indignation would resonate in a general desire for South-South unity and would lead to the largest-ever gathering of Afro-Asian Writers. This was the first time so many African and Asian writers had gathered together, and it was all the more remarkable that many of the writers did not speak a common language other than at of common experience, a common history of Africa and Asia as well as a common history of resistance in Africa and Asia. This book is a collection of poems by poets, leaders of liberation movements, activists, journalists and others involved in the struggle for freedom. They are drawn from Lotus Magazine and from The Call.

A suicide bombing is being planned in Manchester, UK. Behind it lie Saleem Khans vivid memories - some full of regret and yearning, other humorous and yet others overshadowed by the surreal brutality of the war.In the 60s, he leaves his lover, his job as a teacher and his home in the rural Pakistan and travels to Bradford, a town seething with racism where Asians are Pakis and their labour is cheap. He finds a job working in a mill on an all-Asian night-shift, becomes an active trade unionist and when the mills close down, he drives a taxi. He gives up his religion and eventually falls in love with an English woman.But in the 1980s Pakistan draws him back. Now regarded as a smart abroadi, he gets involved as the English-speaking partner in his cousins transport business. When a truck driver he knows, does not return to base, he sets out to find him and unwittingly gets drawn across the border and into the killing fields of Afghanistan. Here, among Russian soldiers, Saudi Arabian Sheikhs, American Pirs, prostitutes and the holy warriors of the Mujahadeen, who take their orders and weapons from the United States, he meets Gulzarina, the woman whose life and experiences in a war without end allow him to finally make sense of his own.

One brother goes missing in action in Afghanistan, the other falls in love with an Afghan girl in England.Bitter divisions engulf an English town where young Muslims oppose the British army's presence in Afghanistan, whilst white youth condemn the Muslims as traitors.To the disgust of his white friends, 17-year-old Jake Marlesden, whose brother is missing in action in Afghanistan, is in love with Leila Khan, an Afghan. When Jake tries to find out what happened to his brother, neighbour turns against neighbour and lover against lover.Leila joins young Muslims protesting against the returning bodies of dead British soldiers, and Jake stands with the families of the soldiers. The lovers fall apart.But far off events, and sinister forces at home, bring the lovers together again in a journey in which they will not only discover themselves, but also heal the wounds of their families and friends.Youre Not Here is the sequel to the award-winning novel Youre Not Proper.

A topical tale of two Muslin schoolgirls in search of belonging and their attempt to come to terms with religious and social identity. Set against a backdrop of seething Islamaphobia.