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A preeminent music historian and critic presents a global history of music from the bottom up
A bestselling music writer provides the first detailed exploration of the uses of music for curative purposes from ancient times to the present
It's hard to imagine that "the cool" could ever go out of style. After all, cool is style. Isn't it? And it may be harder to imagine a world where people no longer aspire to coolness. In this intriguing cultural history, nationally acclaimed author Ted Gioia shows why cool is not a timeless concept and how it has begun to lose meaning and fade into history. Gioia deftly argues that what began in the Jazz Age and became iconic in the 1950s with Miles Davis, James Dean, and others has been manipulated, stretched, and pushed to a breaking point--not just in our media, entertainment, and fashion industries, but also by corporations, political leaders, and social institutions. Tolling the death knell for the cool, this thought-provoking book reveals how and why a new cultural tone is emerging, one marked by sincerity, earnestness, and a quest for authenticity.
A bestselling music writer describes the roles of work songs in societies around the world, from prehistoric times to the present
An acclaimed music scholar presents an accessible introduction to the art of listening to jazz
"The essential history of this distinctly American genre."-Atlanta Journal-Constitution
How could it when the same critics asking the question could hardly agree on a definition of jazz itself? Was West Coast jazz the last regional style or merely a marketing fad? Was there really ever any such thing as West Coast jazz? If so, was it better or worse than East Coast jazz? This title deals with this queries.
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