Bøger af Thomas Howard

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God fashioned the universe as a seamless fabric, a marvelous, unified, orderly creation. But man's sin tore it asunder, disrupting its great cosmic harmonies. Only Christ could make the symphony ring out again. And through a dazzling array of literature, music, sculpture, art, theater, and dance, men and women of faith, too, can work with Christ to mend the tear in the universe. According to the late Professor Thomas Howard, the poet and the prophet both speak a loud voice against the tide of secularism and eventual destruction. Yet how does this work? How does myth convey truth? How does architecture reflect eternal verities? How does the written word humanize and sanctify us? What treasure and stability does an ancient faith hold for the unsettled modern mind? Howard spent his life answering these questions. Christians of all walks of life will appreciate his witty, devout, and cutting observations on faith, art, and the incarnation of Christ. In this volume, readers will also encounter beloved teachers, writers, and friends who influenced Howard's theological imagination, including C. S. Lewis and T. S. Eliot.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Thomas Howard shows us that every room of your house--the living room, the kitchen, the bedroom, and even the bathroom--is a holy place where God's grace awaits you, if only you know how to recognize His presence there. With a rich awareness of God's all-encompassing love, Howard takes you on a spiritual tour through your own home and shows you how everything in it can lead you closer to God.In each room, Howard shows you the surprising ways you can meet God there. With wonderful insights, he reveals how, even in your daily activities you can meet the same God who came to Israel in the terror, smoke and fire in the Tabernacle, and the God who died for us on Cross. But they're by no means confined to a lofty spiritual plane: Howard sees chances to love and serve God, and sees His gentle hand, in the most seemingly dull and ordinary of places and actions.So take up this book to find out how cooking and cleaning, having family dinners together, and all the other commonplace actions that make up the fabric of your daily life can actually disclose God's presence to you. Your daily life as well as your devotional life will be forever transformed by this unusual look at how lovingly God awaits us even in the smallest things.

Through his prolific and highly regarded writing, Thomas Howard's name is familiar to Protestants and Catholics alike, but many have never heard the story of his conversion to Catholicism. With grace, charm, and wit, Dr. Howard describes his journey from Evangelicalism to Anglicanism, and finally, to the Church of Rome. In a world saturated with fashionable unbelief, Howard's testimony inspires and informs. Fr. Richard Neuhaus calls it "a marvelously engaging remembrance."

This book is a reprint with revisions of one of Thomas Howard's earliest and most popular books. It is somewhat autobiographical, revealing the thoughts of a young man who has been seized by the love of Christ and, at first, sees dogmas and institutions as obscuring the terrible truth of God's love in Christ. But even at that earlier period, Howard showed his awareness that without those institutions there would be no way of encountering Christ the tiger.Howard is able to bring out the true vitality of what this faith is and should be, the radical nature of the Christian faith. This book powerfully presents who Christ is and what faith in him means.from 'Christ the Tiger':In the figure of Jesus we saw Immanuel, that is, God, that is, Love. It was a figure who, appearing so inauspiciously among us, broke up our secularist and our religious categories and beckoned us and judged us and damned us and saved us and exhibited to us a kind of life that participates in the indestructible. And it was a figure who announced the validity of our eternal effort to discover significance and beauty beyond inanition and horror by announcing to us the unthinkable: redemption.

The fanciful novels of Charles Williams have long fascinated a rather elite reading public - T.S. Eliot, W.H. Auden, and C.S. Lewis, for example, were among his great admirers. But those books - which include ''The Place of the Lion'', ''Descent into Hell'', and ''All Hallows'' Eve'' - are also dense and perplexing, and even the writer''s fondest devotees have found the meanings of his fiction elusive. Here at last is a clear and informed guide to the complexities and rich rewards of Charles Williams'' novels.As Thomas Howard notes, Williams'' tales might best be described as metaphysical thrillers, in which Williams used occult machinery in much the same way that Conrad used exotic locales and Joyce used the subconscious: to vivify human experience and awaken readers to its range and possibilities. One tale might feature a chase for the Holy Grail across Hertfordshire fields, while in another the picture may switch with no apology at all from a policeman at a crossroad to the Byzantine Emperor. As Howard lucidly demonstrates, the controlling factor behind Williams'' work is an essentially Christian worldview in which heaven and hell seem to lurk under every bush and the constant theme is order versus disintegration.Concentrating on Williams'' novels, Howard brilliantly illuminates the major concerns that informed all of Williams'' thinking. Howard also considers Williams'' work in the context of modern fictional practice and assesses its place in the tradition of the English language novel.

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