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This book studies the relationship of popular culture to older formations of political economic thought, which have made their way into a range of fictions as a fabulous, though feasible, source of resistance to the hegemony of neoclassical economics.
Pursues an entirely new approach to the question of masculinity in Ernest Hemingway's work. Challenging the traditional wisdom that Hemingway fashions a quintessentially masculine style and promotes an ideal of stoic, independent manhood, Thomas Strychacz argues that Hemingway's fiction poses masculinity as a theatrical performance.
Takes a new approach to the question of how female regionalist fictions represent "the economic" by situating them within traditions of classical political economic thought. The book's approach ultimately leads us to reconsider what we mean by the term "economic".
In Modernism, Mass Culture and Professionalism Thomas Strychacz argues that modernist writers need to be understood both in their relationship to professional critics and in their relationship to an era and ethos of professionalism.
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