Bøger af Tim Anstey

A history of architecture, not as the art of what stays but of what changes and moves. We tend to think of architecture as a practice in permanence, but what if we looked instead for an architecture of transience? In Things That Move, Tim Anstey does just that: rather than assuming that architecture is, at a certain level, stationary, he considers how architecture moves subjects (referring to its emotive potential in the experience it creates); how it moves objects (referring to how it choreographs bodies in motion); and how it is itself moved (referring to the mixture of materials, laws, affordances, and images that introduce movement into any architectural condition). The first of the book's three sections, "Cargoes," highlights the mobile peripheries of architectural history through the eighteenth and nineteenth centuries. It asks what kinds of knowledge can be included under a discussion of something called architecture, noting the connections between discourses of the lithe and the technical, on the one hand, and those associated with the production of monumental, static compositions on the other. The second section, "Dispatches," reinterprets early architectural theory by examining the Renaissance ideal of decorum, the nature of the architectural work, and the ways in which architects are constituted as authors. Lastly, "Vehicles" considers building in terms of literal and metaphorical movement, using two cases from the twentieth century that investigate the relationship between architecture and cultural memory. Using a broadly forensic approach to connect details in otherwise disparate cases, Things That Move is a breathtakingly capacious architectural account that will change the way readers understand buildings, their becoming, and their significance.

Architectural patronage was crucial for the thinking of AbyWarburg and his circle. In Hamburg the purpose-designedKulturwissenschaftliche Bibliothek Warburg, completed in1926, organized Warburg's remarkable library. From 1927Warburg developed ideas about orientation in the radicaltransformation of a disused water tower into the HamburgPlanetarium. After the Warburg Institute transferredto London in 1933 this pattern of seminal architecturalcommissioning continued, including projects designed bythe avant-garde practice Tecton during the 1930s, and culminatingin the construction of the library's present homeat Woburn Square, Bloomsbury in 1958. Warburg Models:Buildings as Bilderfahrzeuge follows this history, usingarchive photographs, architectural drawings and a seriesof architectural models to show how the Warburg scholarsprojected a connection between their own physical occupancyof architectural space and their shared ideas aboutintellectual order, cultural survival, and memory.MARI LENDING and TIM ANSTEY are both professors of architecturalhistory at the Oslo School of Architecture and Design.Their continuing archive-based seminar on the relationshipbetween the Warburg Institute and architecture has developedinto an exhibition and a book, not least because of the skilledparticipation of their model-building students.