Bøger af Tim Winton

The Shepherd's Hut is an exquisite, brutal coming of age novel. It tells the story of Jaxie, a boy on the run from his past, and explores the way love and hate combine to form a young man's beliefs.

A mesmeric new novel from a writer at the height of his powers

Winner of the Australian/Vogel Award for Best First Novel, Tim Winton's An Open Swimmer is a meditation on past and present, a story of madness and murder, and of the punishing yet redemptive qualities of both fire and water. A fishing trip marks the end of Jerra and Sean's friendship, although once, when they were younger and more innocent, it would have seemed unbelievable that the bond between them - first forged by their fathers, and later sealed with their blood - could ever be broken. But growing up has meant growing apart, the differences between them widening, sharpening their teasing words into something crueller and less easy to forgive.'Winton's writing is a heady blend of muscular description, deep sentiment and metaphysics' - Sunday Telegraph

A generous watery epic ... Winton is just one of the best' Independent

Following on from his gorgeous memoirs Land's Edge and Island Home, The Boy Behind the Curtain tells more remarkable true stories from Tim Winton.

'I grew up on the world's largest island.'From his childhood, Tim Winton's relationship with the landscape around him - Australia's swamps and bush, rockpools, seacaves and scrub - has been as vital as any other connection. Whether camping in hidden inlets, walking in the high rocky desert fringe, or diving at Ningaloo Reef, Winton has felt the place seep into him - its rhythms, its dangers, its strange sustenance.Island Home is the story of how that relationship with the landscape came to be. Charged with love for the huge, besieging force of Australia's wild spaces, this book is a passionate call for their conservation, a memoir that urges us all to feel the ground beneath our feet. Tim Winton's Land's Edge: A Coastal Memoir, is also available.

On childhood holidays to the western coast, Tim Winton's days followed a joyous rhythm. In the mornings, the sun and surf kept him outside, in the water. In the afternoons, as the horizon wobbled with mirages and the wind came in from the ocean, he was driven inside, to books. In the 'simple, peculiar shack' that his family borrowed each year there was a small library: a room with four walls of books, a world unto itself.Land's Edge: A Coastal Memoir is a beautiful delicate memoir in which Winton writes about his obsession with what happens where the water meets the shore - about diving, dunes, beachcombing - and the sense of being on the precarious, wondrous edge of things that haunts his novels. It is a book about the ebb and flow that became a way of life, and that shaped one of our finest writers. 'Both a serial romantic and a truly gifted novelist' - Mariella Frostrup, Mail on Sunday.

Fred Scully is determined to carve a new life for himself and his young family in Ireland. For months he has laboured alone to make their dilapidated cottage habitable, and now his wife and child are coming to meet him: this will be their fresh start. But when he arrives at the airport to collect them, only his small daughter steps off the plane . . .So begins Tim Winton's The Riders, shortlisted for the Booker Prize. This is Scully's desperate journey across Europe, trying to track down the wife he comes to realize he didn't know.

In these extraordinary tales about ordinary people from ordinary places, Tim Winton describes turnings of all kinds: second thoughts, changes of heart, nasty surprises, slow awakenings, abrupt transitions. The seventeen stories overlap to paint a convincing and cohesive picture of a world where people struggle against the terrible weight of their past and challenge the lives they have made for themselves.In The Turning Tim Winton gives us seventeen exquisite overlapping tales of second thoughts and mid-life regret - extraordinary stories of ordinary people from ordinary places. Here are turnings of all kinds - changes of heart, nasty surprises, slow awakenings, sudden detours - where people struggle against the terrible weight of the past and challenge the lives they've made for themselves.

Tim Winton's That Eye, the Sky is a tale about a boy's vision of the world beyond, and the blurry distinctions between the natural and supernatural. At twelve years old, Morton - Ort for short - is not quite a child, but not yet an adult; his isolated outback world is an intriguing combination of boyish innocence, adolescent confusion and burgeoning awareness. When his father is seriously injured in a car crash, however, that world is suddenly thrown into complete disarray and the whole family have to adjust. As Ort, his sister, mother and grandmother are struggling to come to terms with what has happened, a stranger appears in their midst. Preaching God's word, Henry Warburton's unexpected arrival seems eerily prescient, at a time when the family most need a helping hand, and Henry quickly makes himself indispensable. In fact, for Ort in particular, it is Henry's presence, perhaps more even than his father's accident, that brings the greatest change to his world. 'The great strength of the novel is in the way the grotesque contrasts and parallels in human life are spread out, examined and accepted.' - Los Angeles Times

Shortlisted for the Booker Prize, Dirt Music by Tim Winton is a novel about the power of love.Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded with a man she doesn't love and two kids whose dead mother she can never replace. She spends her days in isolated tedium and her nights in a blur of vodka and self-recrimination. Until, early one morning, she sees a shadow drifting up the beach below her house. It is Luther Fox, an outcast, a man on the run from his own past. And now here he is stepping into Georgie's life. He brings hope, maybe even love, but also danger . . .'Compelling' Independent'Beautiful' Sunday Telegraph

In Scission, Tim Winton's first collection of short stories, the world he paints is often harsh and disturbing, inhabited by isolated, unforgiving characters. It is a world at once familiar, filled with the trappings of home and family, and yet also strangely twisted; a world where casual brutality and unexpected death are never far from the surface. Evident in a young girl's violent temper once the eggs she has so jealously guarded finally hatch, or in the careless indifference of the woman stepping over a soldier's spreadeagled body, Tim Winton's world is a place where dysfunction and disorder constantly threaten the equilibrium. But there is compassion and beauty there too - whether it's in the brush of a father's hand against his young son's cheek, or the neighbours who wait patiently to celebrate the arrival of a new baby.'Tim Winton is the real thing: a writer who can photograph a thought and pluck out the beat of a soul on a washing line.' - Scotland on Sunday

Tim Winton delivers a truly spine-tingling thriller with In the Winter Dark.When a man dreams things from the past, you'd think he'd be able to rearrange them in new sequences to please himself. But no. In my dreams, it all happens as it happened, and I see it and be it again and again and the confusion never wears off. People drift to the valley called the Sink out of loneliness, hardship or an affinity with the land. It is an isolated place, with a swamp and an old white bridge and the forest encroaching from all sides. The solitude is tangible. But when a mysterious creature is suddenly on the loose, killing livestock and preying on everyone's deepest fears, four inhabitants find themselves unexpectedly in one another's company - with chilling results. 'Tim Winton's raw and vibrant language makes the senses jump . . . concentrated, passionate, invigorating writing' Independent on Sunday 'A major work by anyone's standards . . . mysterious, painful and beautiful' Washington Post

A sprawling stage adaptation of Tim Winton's enormously successful novel of the same name. A huge success at the 1998 Sydney and Perth festival, the story follows the fluctuating fortune of two families who inhabit a rambling old house in Perth. Both the novel and stage adaptation have proven to be major works and have each left an indelible mark on the Australian arts scene (3 acts, 20 men, 13 women, extras).