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Timothy J. Van Compernolle reconsiders the rise of the modern novel in Japan by connecting the genre to new discourses on ambition and social mobility, arguing that social mobility is the privileged lens through which Meiji novelists explored abstract concepts of national belonging, social hierarchy, and the new space of an industrializing nation.
The writer Higuchi Ichiyo (1872-1896) has been described as a consummate stylist of classical prose. Timothy Van Compernolle investigates the social dimensions of Ichiyo's imagination and argues that she reworked the Japanese literary tradition in order to understand and critique the emerging modernity of the Meiji period.
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