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The first study to focus on jazz in postwar France, this book explores the ways that French musicians and critics received and remade an American music according to their own cultural concerns
The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences.
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