Bøger af Tormod Vinsand

Jazzbecifring på klaver - en metodisk indføring i forståelsen og anvendelsen af jazzbecifring på klaver.Mange ikke-pianister (forstået som musikere, som ikke har klaveret som hovedinstrument) har i tidens løb med skiftende held forsøgt at overføre visebecifringens principper til jazzbecifringen. Med 'Jazzbecifring på klaver' giver Tormod Vinsand nogle retningslinjer, som kan afmystificere processen melodi + jazzbecifring. Brugeren kommer her i besiddelse af redskaber, som gør at man kan skabe en klaversats, der fyldestgørende redegør for en kompositions melodik, harmonik og rytmik. Bogen er ikke tænkt som en jazzklaverskole men som en indføring i arbejdet med jazzharmonik og melodispil på klaveret. Dette med udgangspunkt i standardjazzen - her menes jazz, som har sit harmoniske udgangspunkt i II-V-I-forbindelser. Til udgivelsen knytter sig audio tracks, der kan tilgås via nettet - indspillet af forfatteren selv.

Denne bog er en opfølgning på "Jazzbecifring på klaver" (Edition Wilhelm Hansen 2011), og det vil derfor være en stor fordel for dig at være bekendt med de teknikker og begreber, som "Jazzbecifring på klaver" gør rede for.Der findes mange måder at spille jazzklaver på. I Jazzbecifring på klaver redegør jeg for nogle retningslinjer i forbindelse med udarbejdelse af akkompagnement og melodispil, men der er selvfølgelig mange andre spillemåder eller teknikker, man kan benytte sig af.Jazzbecifring på klaver 2 fokuserer på fire typiske spilleteknikker:Del 1 - ArpeggiospilDel 2 - 4-stablede akkorder i en klaversatsDel 3 - VenstrehåndsakkorderDel 4 - Overliggende 3-klange i forbindelse med akkompagnemen

This book is a follow-up on Jazz Chords on Piano (Edition Wilhelm Hansen 2017) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano.There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing, but admittedly, there are of course many other ways to play or other techniques to use.In Jazz Chords on Piano - 2 I have chosen to focuson four typical techniques:Part 1 - Playing Arpeggio in left handPart 2 - 4-stacked chords in a piano movementPart 3 - Left-hand chordsPart 4 - Overlying triads when accompanyingTo illustrate the various techniques, I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable.

A methodical introduction to the understanding and usage of jazz chords on piano.Over the years, many non-pianists ( i.e. musicianswho do not use the piano as their main instrument) have tried to transfer the principles of traditional triads and tetrachords to jazz chords - with varying degrees of success.With the book "Jazz Chords on Piano" Tormod Vinsand gives you some guidelines that may help demystify the process of making a piano arrangement with melody and jazz chords.The reader will get tools making it possible to create a piano arrangement, which will adequately include the melodics, harmonics and rhythm of a composition.The book is not meant to be a school in jazz piano - but more an introduction into the work with jazz harmonics and melody playing of a piano arrangement.The overall basis of the book is standard jazz, which means jazz with its harmonic basis in II - V - I connections.The book's tunes are recorded by the composer himself and can be accessed via the web.

A methodical introduction to the understanding and usage of jazz chords on piano.Over the years, many non-pianists ( i.e. musicianswho do not use the piano as their main instrument) have tried to transfer the principles of traditional triads and tetrachords to jazz chords – with varying degrees of success.With the book “Jazz Chords on Piano” Tormod Vinsand gives you some guidelines that may help demystify the process of making a piano arrangement with melody and jazz chords.The reader willl get tools making it possible to create a piano arrangement, which will adequately include the melodics, harmonics and rhythm of a composition. The book is not meant to be a school in jazz piano – but more an introduction into the work with jazz harmonics and melody playing of a piano arrangement.The overall basis of the book is standard jazz, which means jazz with its harmonic basis in II - V - I connections.The book’s tunes are recorded by the composer himself and can be accessed via the web.