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"In Magical/Realism, Vanessa Anéglica Villarreal offers us an intimate mosaic of migration, violence, and colonial erasure through the lens of her marriage and her experiences navigating American monoculture. As she attempts to recover the truth from the absences and silences within her life, her relationships, and those of her ancestors, Vanessa pieces together her story from the fragments of music, memory, and fantasy that have helped her make sense of it all. The trauma of remembering gives the collection its unique Each chapter is an attempt to reimagine and re-world what has been lost. In one essay, Vanessa examines the gender performativity of Nirvana and Selena; in another, she offers a radical but crucial racial reading of Jon Snow in Game of Thrones; and throughout the collection, she explores how fantasy can provide healing when grief feels insurmountable. She reflects on the moments of her life that are too painful to remember--her difficult adolescence, her role as the eldest daughter of Mexican immigrants, her divorce--and finds a new way to archive her history and map her future(s), one infused with the hope and joy of fantasy and magical thinking. By engaging readers in her project of rebuilding narrative, Vanessa broadens our understanding of what memoir and cultural criticism can be. Magical/Realism is a wise, tender, and essential collection that carves a path toward a new way of remembering and telling our stories." --
We feel that to "better" American poetry is to jam dominant systems of taste to the best of our abilities, and to resignify the very phrase "American poetry" with the languages that it so desperately lacks. We intend to center voices of resistance, subjectivities that emerge from the radical margins, artists whose Americanness transcends nationalism and other borders, perspectives historically denied institutional backing--in short, poets and poetries that are urgent and necessary but do not get along nicely with Power. "Soaring and raw, these poems 'better' American Poetry by battering down racial pieties of our white neoliberal nation. This anthology is an explosive Cri de Coeur of these times." - Cathy Park Hong "Resistance and action have always been key elements of progress, and I'm so encouraged that Bettering American Poetry exists and super humbled to be a part of it. We need this poetry, these voices, this perspective--and the poems are just really freaking good!" - Tommy Pico "Bettering American Poetry is verse of the most urgent kind. In this moment of rising fear and resentment these poets write with a deep regard for all peoples. This is the kind of work that will take us through the next 4 years and the next 100." - Nate Marshall
Poetry. Latino/Latina Studies. LGBTQIA Studies. Women's Studies. BEAST MERIDIAN narrates the first- generation Mexican American girl, tracking the experiences of cultural displacement, the inheritance of generational trauma, sexist and racist violence, sexual assault, economic struggle, and institutional racism and sexism that disproportionately punishes brown girls in crisis. Narrated by a speaker in mourning marked as an at- risk juvenile, psychologically troubled, an offender, expelled and sent to alternative school for adolescents with behavioral issues, and eventually, a psychiatric hospital, it survives the school to prison pipeline, the immigrant working class condition, grueling low- pay service jobs, conservative classism against Latinxs in Texas, queerness, assimilation, and life wrapped up in frivolous citations, fines, and penalties. The traumatic catalyst for the long line of trouble begins with the death of a beloved young grandmother from preventable cervical cancer--another violence of systemic racism and sexism that prevents regular reproductive and sexual health care to poor immigrant communities--and the subsequent deaths of other immigrant family members who are mourned in the dissociative states amidst the depressive trauma that opens the book. The dissociative states that mark the middle--a surreal kind of shadowland where the narrator encounters her animal self and ancestors imagined as animals faces brutal surreal challenges on the way back to life beyond trauma--is a kind of mictlan, reimagined as a state of constant mourning that challenges American notions of healing from trauma, and rather acknowledges sadness, mourning, and memory as a necessary state of constant awareness to forge a way back toward a broader healing of earth, time, body, history.
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