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This text narrates the history of how relational art was born in Latin America and specifically marks its development in Ecuador, considering several theoretical proposals of the great critics. It makes a kind of counterposition to the great narratives and leaves a set of relationships between their positions to answer the question posed above: the historically relational art.
This book seeks to make visible how gender roles have been marked in the city of Loja-Ecuador. The content is based on in-depth interviews and great authors who narrate the social and cultural history of Loja. A journey is made from the culmination of the Second World War, which caused a change in the functioning of the time and the resurgence of the Feminist Liberation Movement that fights for the abolition of violence against women. In this context, art becomes a platform to appeal to the institutions of power that for centuries have been run by men.
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