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Jack Marlin, Private Eye: The Case of the Barbary Blackbird is a tribute to the work of Raymond Chandler and to his creation, Philip Marlowe. The story takes place in the city of San Francisco and Muir Woods in 1935 during the Art Deco Era and provides an opportunity for the audience to experience a recreation of an architecturally, artistically and culturally unparalleled time in American history. America does have a rich and vibrant culture and the Detective genre, à la Philip Marlowe, is quintessentially American.
The many shades and nuances of Sayers' life and writing lend themselves well to a play. One in particular stands out-her creation of that ever cheerful, indomitable romantic hero, Lord Peter Wimsey. Who more fitted to narrate and sing praise of her varied and distinctive accomplishments? The work is essentially a celebration of Sayers' life and writing, but is also filled with good humor and flights of fancy and is intended to introduce her literary legacy to a whole new generation. Only the vehicle of drama has been added to this imaginative account to bring her work and values to light.
A lonely young woman and a mysterious man meet in a northern California landscape populated by poets, New Agers, stoners, and dropouts.Do you know the language of the birds? Summer, 1979: A lonely young woman housesitting for her aunt and uncle in an isolated bohemian enclave finds troubling reminders of a past family tragedy surfacing in odd and unsettling ways. When a mysterious man moves in next door, Dovey hopes for a romance like the ones in the novels she secretly devours. But a dark truth hidden since childhood erupts shockingly in a violent otherworldly intrusion, catapulting her into a desperate struggle for her life and sanity. Set in a haunted northern California landscape populated by poets, New Agers, stoners, and burnouts, Neighbor George is a deeply atmospheric story of psychological horror enacted in the liminal space where the natural collides with the supernatural.
The Gothic has taken a revolutionary turn in this century. Today's Gothic has fashioned its monsters and devils into heroes and angels and is actively reviving supernaturalism in popular culture. Nelson argues that this mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations.
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